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Knife in the Head

One night when seeking his estranged wife, Hoffmann goes to the youth center where she works. The police are there rounding up radicals who frequent the center - Hoffmann runs into the building and ends up being shot in the head. He awakens with brain trauma, partially paralyzed and unable to speak. The police accuse him of stabbing an officer; the radicals herald him as an innocent victim of police brutality. During his slow recovery at the hospital, Hoffmann must piece together his life and struggle to remember the events of that night.

Knife in the Head

6.1 1978
Death Brings Roses

Chuck Watts, a fugitive wanted for manslaughter in Kentucky, has been keeping a relatively low profile as an enforcer for Andrew Max, the man who controls the strippers and hookers of New Orleans' club circuit. Unknown to Chuck, Max runs an extensive crime empire with a reach far beyond strippers and hookers--a world of violence and betrayal that quickly overtakes Chuck as he finds himself the key man in a war of competing crime syndicates. As the bloody struggle erupts around him, Chuck is driven to desperate action by one compelling motive--get out alive! (From back of box)

Death Brings Roses

3.3 1975
The Notorious Frame-up

Wang, a womanising businessman miles away from home, makes it a sport to seduce young women. After one of his conquests got pregnant with his child and died after the abortion, one after another of his lovers are found murdered. It is only when he is arrested and convicted for these crimes that he finds himself embroiled in a plot of revenge. Based on the work of Japanese novelist Togawa Masako which was previously adapted by director Nakahira Kō into The Hunter’s Diary (1964 in Japan) and the Hong Kong version Diary of a Lady-killer (1969), Ho Fan’s remake, his third film for Shaw Brothers as director, is a stylistic tour de force and a more authentic rendering than the 1969 version, grippingly suspenseful and provocative with clever shots, dark humour, and sophisticated treatment of contemporary attitudes about sexual liberation, exploring the conflicts over human nature and desire. (By Reel to Reel Institute)

The Notorious Frame-up

2.7 1978
The Ghosts of Alcacer-Kibir

Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.

The Ghosts of Alcacer-Kibir

6.3 1976
The Chess Players

In the year 1856, Nawab Wajid Ali Shah is the King of Awadh, one of the last independent kingdoms of India. The British intend to control this rich land and send General Outram to clear way for an annexation. Pressure is mounting amidst intrigue and political maneuvers, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either — noblemen Mir and Mirza ignore all duties and spend their days playing endless games of chess.

The Chess Players

7.0 1977
Judge Fayard Called the Sheriff

Jean-Marie Fayard is a young examining magistrate in a large provincial french city. He belongs to that generation of judges who are endeavoring to re-adapt the notion of justice to our changing times. His methods are not agreeable to every one. Criticism and pressure are brought to bear upon him but he is aware of his value, professionally, and refuses to make any concessions. He follows an unwavering course. He uses dynamic methods and takes uncustomary initiatives. He behaves like a crusader, a battler, whence the nickname given him by the reporters : the sheriff.

Judge Fayard Called the Sheriff

6.9 1977
Nights that will never come back

Mona tries to save Laila, the daughter of the wealthy Radwan, who is also her husband. She struggles to save her from the clutches of Hussein, whose morals and character she learned from a previous relationship with him. However, Hussein threatens Mona to reveal her secret to her wealthy husband if she does not stay away from him. So Hussein takes Laila to his house and tries to assault her. Laila lives in bad conditions and a bitter psychological struggle.

Nights that will never come back

NR 1974
Steptoe & Son Ride Again

Albert Steptoe and his son Harold are rag-and-bone men, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. Always on the lookout for ways to improve his lot, Harold invests his father's life savings in a greyhound who is almost blind and can't see the hare. When the dog loses a race and Harold has to pay off the debt, he comes up with another bright idea. Collect his father's life insurance. To do this his father must pretend to be dead.

Steptoe & Son Ride Again

6.8 1973