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The Strawman

A simple and quiet young man, Ruben faces the ups and downs of his life. But now, in the family, the “lame duck” is his brother. He allowed himself to be drawn by a gang of thugs into a high-risk enterprise. After being badly beaten in a beating, he finds himself between life and death. Fatally invested with a brotherly duty, Ruben goes to find the thugs to try to remove them from his "brother" and put an end to this story. But what was supposed to be an end turns out to be a nightmarish departure.

The Strawman

6.0 2020
Noire

On March 2, 1955, like every day, Claudette Colvin, a 15-year-old black girl from Alabama, bought her ticket at the front of the bus, but had to get on the back. If the front is reserved for White, when they have no more room, Black must give up theirs, to the rear. It's the law. But that day, the teenager refuses to give way to a White. Claudette Colvin says no. Arrested, she pleaded not guilty and sued the city, a first. However, we will not make an example of it. We will wait for Rosa Parks, a lighter-skinned seamstress, who, nine months after Claudette, will make the same gesture, soon supported by the young Martin Luther King. History is on the move. Claudette Colvin allowed everything, but she is the one we have forgotten.

Noire

8.0 2021
Black and White in Color

French colonists in Africa, several months behind in the news, find themselves at war with their German neighbors. Deciding that they must do their proper duty and fight the Germans, they promptly conscript the local native population. Issuing them boots and rifles, the French attempt to make "proper" soldiers out of the Africans. A young, idealistic French geographer seems to be the only rational person in the town, and he takes over control of the "war" after several bungles on the part of the others.

Black and White in Color

6.4 1976
The Cradles

Les Berceaux is about the dedicated sailors who venture out into the deepest ocean, and the wives who must await their return. The woman sits in her living room, gently rocking her infant’s cradle as she sings, the movement mimicking the rolling motion of the ocean waves. Many men will lose their lives to the ocean’s vast waters, but the juxtaposition of death and life (in the cradle) suggests an endless and noble cycle. Kirsanoff imaginatively places a rear-projection screen outside the woman’s window, through which, as she sings, we can watch the ocean waves lapping up against the shore, or the ship charging majestically over the water. Also worth noting is that the film was photographed by Boris Kaufman, who later also shot On the Waterfront (1954) and 12 Angry Men (1957). —Shortcutcinema.blogspot.pt

The Cradles

7.4 1931
The Rebel

After the death of his parents, Pierre is forced to care for his younger sister Nathalie by committing petty crimes. In a recurring motif of Gérard Blain’s cinema, Pierre is taken under the wing of an older gay man, Hubert , who offers him work and financial security; but when Hubert makes advances to him, Pierre robs him and takes up with a group of radical leftists who are planning terrorist attacks. Without employment, Pierre loses Nathalie to child services and spirals into desperation, finally erupting in an act of horrific violence. An x-ray showing the largely undiagnosed sickness of its time, and a stern warning to ours.

The Rebel

7.8 1980