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Reflejos en una habitación

Berta, a mature woman of high class, has been hiring the services of Alberto, a professional scort with whom she meets once a month in a hotel room. One day Alberto is unable to keep the appointment and sends another scort, Hugo, a much younger and inexperienced boy. Berta distrusts Hugo and insists that he leave, but Hugo wants to finish the job because he needs the money. From here, Berta and Hugo will begin an emotional journey in which, despite their differences, mistrust and prejudices, they will discover that they have more in common than they thought.

Reflejos en una habitación

NR 2024
Las llaves de la independencia

Lázaro Expósito is a young revolutionary in mid-nineteenth century Mexico. This story tells us the life of a boy who, from his very birth, is adopted by Javier Artal a member of a Spanish landowning family but within this family he is repudiated by his father’s elder brother because of his race and origin. This fact will mark him as he grows up in a comfortable environment although he is aware he does not really form part of it. The continuous in-and-outs of the story allow us to get to know Lázaro who is strong in fighting and tender in love but who will never get to know his true origins. The story takes place on an estate run-down from constant fighting which was the famous Artal Brothers Estate before the war. They arrived with their wives from Spain and their descendants were already born on the other side of the Atlantic.

Las llaves de la independencia

NR 2005
How silly are to grow up

Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt.

How silly are to grow up

9.0 2000
Julia y el celacanto

In Tordesa, a small fishing village in the Spanish Levant, appears a coelacanth, an important fish that in recent years has attracted the attention of the press and scientists around the world. In this village, the only one who realizes the importance of the fish is Julia, who is also aware of the significant rewards that sages offer for the capture. But due to a number of circumstances, the news reaches the head of a scientific institution and they send a delegate to handle the fish. Facing the danger of having the fish removed, Julia hides it aided by his brothers

Julia y el celacanto

4.8 1961
Tequila 5

Love is like a tequila shot. Strong, hot as fire, covers our hearth, gets in touch with our feelings, makes us see everything beautiful and inspires us to do the impossible and prohibited for the love ones. Sex and Love in Monterrey, Mexico! Part of the new age Mexican cinema, Tequila 5 is surprisingly edgy! Four lonely and love hungry individuals carry out their ordinary lives (yet extraordinary in some ways) in the buzzing Monterrey, Mexico. An entertaining film with an end that will make you think

Tequila 5

5.0 2007
Folil

Folil, "root" in mapunzungun, is an invitation to question the relationship of humanity with nature; the way we think about it and inhabit it. Two young Mapuche people from the communities of Pukura and Traitraico, in southern Chile, face the difficulty of protecting the forest in order to continue collecting wild mushrooms, their food and medicine. The territory itself and the affected Mapuche communities are making the world aware of their problems, where the language of nature faces the paradoxes of development.

Folil

2.0 2020
¿Y a mí quién me cuida?

Ana is an elderly woman who has recently been widowed. Like many people of her age and education, she will have to find a reason to give meaning to her life. When her son Antonio asks her to look after his grandson Ezequiel, Ana sees that the boy has suffered the mistakes of an authoritarian upbringing and decides to help him fulfill his dream of becoming a choreographer. With her grandson, Ana embarks on a dreamlike journey that leads her to discover other women in her neighborhood who, like her, are trying to live a new life.

¿Y a mí quién me cuida?

NR 2007