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Magdana's Donkey

This chamber drama is set in Georgia on the turn of the 19th and 20th centuries. A simple peasant family makes its living by selling yogurt which the Magdany widow takes every morning to the town market. Once, in their mother’s absence, the children – six-year-old Mikho and three-year-old Kato – found an abandoned donkey on a road leading to their village. The foundling was fed, tended, and the moment the donkey opened its big, tender eyes, it was named “Lurdja”, which means “blue-eyed”. Surrounded by love and care, the donkey became a big help in the poor household. But this idyll was not to last long…

Magdana's Donkey

6.6 1955
Who is Guilty?

Jamil (P. Ramlee) is the son of a wealthy family in Kuala Lumpur who falls in love with their maid’s daughter Norma (Normadiah). His class-conscious parents, however, do not approve of their relationship. Noorma and her mother are given a sum of money and sent back to their kampong. This prompts Jamil to quit his family and its riches to seek a reunion with her beloved Norma. Soon, they are happily married and pursue a frugal lifestyle. With the death of his mother-in-law and the arrival of his newborn son, Jamil struggles to make ends meet with his job as a painter. He overworks and strains his eyes so much that he goes blind,

Who is Guilty?

NR 1953
Wife

Ten years into a marriage, the wife is disappointed by the husband's lack of financial success, meaning she has to work and can't treat herself and the husband finds the wife slovenly and mean-spirited: she neither cooks not cleans particularly well and is generally disagreeable. In turn, he alternately ignores her and treats her as a servant. Neither is particularly happy, not helped by their unsatisfactory lodgers. The husband is easily seduced by an ex-colleague, a widow with a small child who needs some security, and considers leaving his wife.

Wife

7.2 1953
The Edo Official and Apprentice

It's an extravaganza of entertainment as famous magistrate in disguise, Toyama no Kinshiro attempts to confront the elusive thief known as the "Long-Sleeve Burglar". Played to the hilt by Misora Hibari in a delightful performance highlighted by singing, dancing, and swordplay with a unique story within a story twist that starts to unfold in the city jail as a playwright is brought into custody and meets the famed Long-Sleeve Burglar himself. Misora Hibari is totally captivating in this gender bending role as the famed thief whose expoits can only be stopped by the great Kin-san himself!

The Edo Official and Apprentice

6.0 1959