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Mary Forever

Marco, a teacher from Milan, relocates to Palermo and takes a temporary job teaching in a juvenile detention centre while he waits for a high school teaching position. He tries to understand and motivate his handful of students, encouraging them to stand up for their rights, finding out about their histories: Natale, in for murder and enamored with the Mafia; Pietro, who can't seem to stay out of jail; Claudio, barely 14 and learning to stand up for himself; and Mery, a trans sex worker, who was arrested after a fight with a trick who didn't want to pay her, and is now stuck in a male prison.

Mary Forever

7.4 1989
Il Trovatore - Verdi

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

Il Trovatore - Verdi

6.3 1978
They're Watching Us

Norberto Lopez Amado's They're Watching Us is about a cop who becomes obsessed with a case. Juan (Carmelo Gomez) is ordered to head up an investigation concerning a businessman who has been missing for almost three years. The officer who worled on the case previously now resides in a mental institution and is unable to say anything other than, "They're watching us." A priest (Roberto Alvarez) explains how a series of disappearances in the area have supernatural underpinnings. As Juan is absorbed deeper and deeper into the case, his mother is concerned for him.

They're Watching Us

5.4 2002
Baracoa

Felipe, an 85-year-old Italian revolutionary, watches a changing Cuba from his Havana balcony, while his son Pepe dreams of escaping to Canada, clinging to material comforts and idle ambition. As Felipe’s health declines, he forms a deep bond with his doctor Jimmi, a kindred revolutionary spirit whose secret nightlife alter ego—Estrellita, a drag performer—shocks Pepe. When Felipe dies, Pepe learns his father has left Jimmi co-ownership of the family estate in Baracoa, where his ashes are to rest. Forced to travel together across Cuba, Pepe and Jimmi begin an uneasy journey that slowly becomes one of reckoning, understanding, and redemption.

Baracoa

NR 2025
Vodka Lemon

In a remote, isolated Yazidi Kurdish village in post-Soviet Armenia, Hamo, a widower with a pitiful pension and three worthless sons, travels daily to his wife's grave. There he meets the lovely Nina, who is communing with her late husband. The two are penniless--she works in a local bar that is about to close down, while he has been forced to start selling his meager possessions. All seems hopelessly bleak, yet when Hamo begins to court Nina, their unexpected love revitalizes them.

Vodka Lemon

6.6 2003
Beloved

Amata is about two lives that graze one another without meeting, connected by invisible threads and choices that can change a person’s fate. With its intimate, sensual and deeply human gaze, Amata singles out the bodies and souls of its two lead actresses in order to explore what it means to choose. And love. Nunzia is an out-of-town student with a crushing secret: an unwanted pregnancy. Isolated, she weighs a grueling decision: keep the baby or give it up. In another place, Luca and Maddalena endure the emptiness of a new life that doesn’t arrive. After a long, fruitless trial, a chance presents itself: delicate, luminous, full of anticipation. Amata is the story of two women who intersect, fragile fighters yet strong at the same time, who imagine love, freedom and motherhood in its many forms. And a third woman, Margherita – the child. Torn between different worlds, and silent carrier of a bond that unites them, though no one knows.

Beloved

5.8 2025
The Deserter

In this tragic story that has an unrealized potential to tug at the emotions, a woman in mourning for her two sons lost in World War I is the only one in her village determined to financially support a war memorial. The village poor have too little money, and the richer are tight-fisted. She has given a whole 15 years of savings -- yet the good priest, for whom she works as a maid, is not enthusiastic about her action because he is worried that the memorial will not remind the villagers of past horrors and suffering but disguise the human cost of war in rhetoric. As the memorial's advocates begin to sustain the day, flashbacks show how the woman's youngest son shot his captain, deserted the army, and came to die of fever while in his mother's care. The priest helped her as much as possible, yet he feels compelled to tell the authorities that her son was a deserter.

The Deserter

8.0 1983
The Pleasure

Italy in the early 1930s. To the elderly aristocrat Gerard, all that is left of Leonora, the love of his life, are a number of erotic tape recordings. She led a double life as respectable wife and mother of two, and as a whore at the local brothel. Now, after her death, her children Ursula and Edmund pass under the tutelage of Gerard. Having not seen them for many years, he is utterly bewildered by Ursula's uncanny likeness to her mother. While Gerard's mistress Fiorella takes care of Edmund's sexual needs, Ursula follows the last instructions of her mother. In the process, she uses the legacy of her mother's recordings to get into the mindset of her relationship with Gerard. Is Gerard ready to find his lost love Leonora again... in the likeness of her very daughter?

The Pleasure

5.1 1985