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Shudra: The Rising

Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.

Shudra: The Rising

4.8 2012
Two

This short film shows an encounter, through a series of games, between a street child from the shantytowns and a child of a rich family, stationed at his window. The film has no dialogue and the action moves through the attempts at one-upmanship evident in their successive display of their toys. Their rivalry (a kite shot down by a toy rifle, for example) concludes with the opposition between the world of noise (the toys inside the house) and that of music (the street child's flute). Preserved by the Academy Film Archive in 2006.

Two

7.6 1965
Parampara

In a remote region in India there has been a tradition of settling differences by fighting a duel with pistols with only one bullet in each of them. Such was the duel fought by Shankar and Thakur Bhavani Singh, with the latter emerging as the victor. Years later, Bhavani's son, Prithvi, returns from London, meets Shankar's son, Gora and daughter, Tara, befriends them, and eventually both Tara and Prithvi fall in love with each other. When Bhavani finds this out, he wants Prithvi to marry Rajeshwari, who comes from a rich family, and will destroy Gora Shankar and his tribe of gypsies. Unable to make up his mind, Prithvi ends up marrying both women, leading to Tara giving birth to a son, Pratap. Bhavani is enraged when he this out, he has Tara and a lot of their people slain, and their homes torched. Gora himself is arrested by the police, and sentenced to several years in prison...

Parampara

6.2 1993
Yeh Teraa Ghar Yeh Meraa Ghar

After the death of his dad, Dayashankar Pandey arranges the marriage of his two sisters. In debt, he goes to the city to ask the tenants to leave his house, as he intends to sell it and repay his debts. A woman, her two daughters, Jyoti, Saraswati, and one son, Chotu are living there. When Dayashankar asks them to vacate, they refuse. What results is Dayashankar's hilarious attempts to force them to vacate - from seeking legal advice; filing police reports; asking goons to remove them - moving in himself. Will Dayashankar succeed in his attempts to evict his tenants?

Yeh Teraa Ghar Yeh Meraa Ghar

5.3 2001
The Survivor

Kal Tumi Aleya’ is the story of rise of Dhirapada Chakroborty from his humble background to the post of general supervisor in Mr. Himanshu Mitra’s company. It’s his journey which shows his various relations with his neighbor whom he calls Sona boudi, Charu di who helps him get this job, Labanya Sarkar, the lady doctor of the company and Amit, Charu’s nephew. The film shows how he faces and handles different circumstances of life and business. It’s the story of Dhirpada’s journey in this delusionary world.

The Survivor

8.0 1966
Indian

DCP Raksekhar Azad (Raj) is an invincible cop with a great aim. He arrests a terrorist by the name of Khan. But Khan lands in a prison cell that looks cushier than the Buckingham Palace. However, this gets Raj promoted, and he is congratulated by none other than his father-in-law, who is also a very high ranking policeman. Then all of a sudden, Raj finds out that many policemen would like to see Khan go free. He discusses this issue with his father-in-law, and to his surprise, does not find any support from him. Disagreements and arguments ensue, and as a result, his father-in-law gets killed. The Police suspect Raj of killing him, they begin the process of arresting him, he runs away, while Khan is all set to get freed to do whatever he likes.

Indian

5.2 2001
Baaplyok

The road ahead might be straight and even, but human character is shaped by the journey thereon. Sagar and his father set out to invite their far-off relatives to Sagar's wedding. But the venture is not as easy. Sagar has left his job in Pune in order to live with his parents in the village and work as a farmer. "Farmers are not good suitors", yet somehow Sagar has found a bride and they are about to be married. Sagar and his father are always at odds against each other for no particular reason. This father-son tension characterises their journey, their relationship in the hands of the dust and the soil of the road.

Baaplyok

4.0 2023