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Cavalcade of Love

Cavalcade D'Amour is divided into three sections, each depicting a romance occurring within the walls of the Chateau de Champs. Legend has it that whoever marries in the Chateau is doomed to an unhappy life. This proves to be the case in 1639 and 1839, but the heroine of the 1939 segment, Corinne Luchaire, is determined to break the jinx. She is convinced that she will prove an unsuitable bride for Claude Dauphin, and he is likewise convinced that he will turn out to be an inadequate groom. But the couple's respective families will not be dissuaded, and the marriage takes place as scheduled? with unexpectedly happy results!

Cavalcade of Love

5.8 1939
Ivul

IVUL is the extraordinary story of Alex (Jacob Auzanneau), a young man who climbs on to the roof of his house and refuses to ever come back down to earth. His actions devastate his beloved family and we watch as their world falls apart. A dark and mysterious gardener (Tchili from This Filthy Earth) keeps watch over the family but is powerless to exorcise the curse that he feels has befallen them. Meanwhile the twin sisters (Manon and Capucine) provide light but sometimes macabre relief. The world of IVUL is a world of both fairytale and nightmare with the family manor house and forest landscape providing a compelling backdrop to the story.

Ivul

4.6 2010
Fatale Orientale

Dalia, a french ex-reality TV starlet, is at her lowest point. Depressed and overweight, she tries to reconnect with her estranged mother, who still refuses to talk to her because of her seedy tabloid fodder past. Deeply hurt, Dalia accepts to be part of a new TV show booked by Coco, her agent, on the one condition that she loses weight. But as Coco strives to make her the IT-girl she once was, Dalia's repressed Algerian origins resurface in nightmares and hallucinations.

Fatale Orientale

5.0 2020
Maria Chapdelaine

A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.

Maria Chapdelaine

6.2 1983
Morbayassa

Bella, a 30-year-old Guinean cabaret singer, lives a miserable, dangerous life as a prostitute in Dakar. Though she longs for escape, a gang of pimps, led by Kèba, treat her like property and make sure she keeps in her place. Her only hope is the thought of earning enough money to escape and reunite with her daughter, who she gave up at birth at age 15—a desperate act that haunts Bella’s nightmares and fills her with guilt. While fleeing an angry client, she meets Yélo, a Guinean worker for the United Nations, who happens to be passing through Dakar. Instantly smitten, Yélo agrees to help Bella, and so begins an epic journey of redemption, from Guinea to Paris. But can the young couple escape the clutches of the menacing Kèba?

Morbayassa

NR 2014
Tabataba

Tabataba tells the story of a small Malagasy village during the independence uprising which took place in 1947 in the south of the country. For several months, part of the Malagasy population revolted against the French colonial army in a bloody struggle. The repression in villages that followed was terrible, leading to fires, arrests and torture. Women, children and the elderly were the indirect victims of the conflict and suffered particularly from famine and illness. One leader of the MDRM Malagasy Party, which campaigns for the independence of the country, arrives in a village. Solo (François Botozandry), the main character, is still too young to fight but he sees his brother and most of the men in his clan join up. His grandmother, Bakanga (Soavelo), knows what will happen, but Solo still hopes his elder brother will return a hero. After months of rumours, he sees instead the French army arrive to crush the rebellion.

Tabataba

7.0 1989
Kean

By 1820, Edmund Kean is the most admired Shakespearan actor. But if his art is peerless, his free lifestyle is ill thought of, particularly by the high society. Kean has fallen passionately in love with Countess Elena de Koefeld, the wife of the ambassador of Denmark. Elena loves him too but hesitates to give up her rank in society and follow Kean. On the other hand, Anna, a rich heiress who refuses to marry Lord Mewill, the husband chosen by her parents, confesses her love for Kean and decides to become an actress like him... The aristocrats, outraged by Edmund's profligate ways, decide to boycott his performances and his career is broken. Kean does not recover from such a blow and, on a stormy night, dies in Elena's arms.

Kean

6.5 1924
Dawn of the World

The Mesopotamian Marshes, at the delta of the Euphrates and Tigris rivers, in the south of Iraq. This is where Mastour and Zahra grow up. Shortly after their marriage, Mastour and Zahra are forced to separate when the Gulf War breaks out. On the battlefield, Mastour befriends Riad, a young soldier from Baghdad. Mortally wounded, Mastour makes Riad promise to protect Zahra when the war is over. When Riad arrives in the village, he falls deeply in love with Zahra. But unable to bear the loss of her husband, Zahra shuts herself off. In this completely foreign environment that is hostile to this newcomer, and as a new conflict is on the verge of inflaming the whole area, Riad will do the impossible to find his place.

Dawn of the World

5.0 2009
Welcome Home

This is the story of two childhood friends - Lucas (a 16-year-old high-schooler) and Bert (a mechanic’s apprentice) - who flee the suffocating fish bowl that their killjoy families’ lives have become. Lucas, still quite immature, finds a “big brother” in Bert, a guide who is going to take him straight to the brink of catastrophe. But very quickly, boredom resurfaces and the freewheeling sense of being on an adventure evades them. Should they return to the fold, or keep moving on? Their drifting logic compels them to blindly forge ahead.

Welcome Home

4.6 2015
Night in December

In 1919, Pierre Darmont, a handsome, much-loved piano virtuoso, falls in love with Anne Morris, a young woman who shares his tender feelings. But, quite inexplicably, after an unforgettable night, Anne vanishes without trace. Twenty years later, Pierre, at the peak of his glory, has become embittered. Unable to recover his unhappy love affair, he has collected women without ever committing himself to any. Until some night he meets the eyes of a beautiful young lady, who happens to be the spitting image of his great love...

Night in December

7.5 1941
The Van Gogh Wake

To say that the renowned Impressionist artist, Vincent Van Gogh (1853-90) had a dysfunctional family is likely to do a disservice to ordinary dysfunctional families everywhere. In this unusual drama, the family (and one friend) of the troubled artist gather together to participate in the customary ceremonies that are performed when a close relative, in this case, Vincent, dies. While Vincent's brother Theo (Jean-Pierre Lorit) and his three sisters are genuinely grief-stricken, his mother (Maria Meriko) seems to be a truly stony character, and her cold contempt and disregard for her sensitive son appears to be just as great in death as it was in life. Fans of Vincent's art will be particularly appalled by the woman's attitude to her son's vocation, and more so by at her actions.

The Van Gogh Wake

10.0 1990
Late Marriage

Zaza is a 31-year old Israeli bachelor, handsome and intelligent, and his family wants to see him married. But tradition dictates that Zaza has to choose a young virgin. She must be beautiful and from a good family, preferably rich. Zaza's parents, Yasha and Lily drag Zaza to meet potential brides and their families. Zaza has no choice. He plays along with his family, advocates of the suffocating traditions of their Georgian Jewish heritage. But Zaza always manages to somehow get out of being engaged. What his parents don't know is that Zaza is already in love. Judith is sensuous, strong and intriguing. She's also a divorcée with a 6-year-old daughter. So Zaza has kept Judith a secret from his family. He will have to choose between respect of the strict confines of family and tradition, or the love of his life.

Late Marriage

6.2 2001