Discover Movies

7,551 Matches Found

Pour t'enlacer

This film tells the story of Noah, a young woman in her late twenties, who, the day after an unattached affair, finds herself pregnant and forced to make a heartbreaking choice. It is by turning to the tranquility of the countryside and to the wisdom of his grandmother Beatrice that Noah will be able to advance, step by step, in his thinking. It is sheltered by the grandiose calm of the great outdoors and by the love of his grandmother, beyond judgment, that Noah will be able to put his thoughts in order and make his decision.

Pour t'enlacer

NR 2022
So Are You

So Are You is a 25 minute videotape about the difficulties of assuming ones self-identity. Identity is shaped and informed by the dominant culture, often producing stereotypes that are reinforced by the media. Through such structures racist behaviour is learned and condoned. So Are You uses unconventional structures and casting to criticize stereotypes. The eighteen cast members include Natives, Asians, Blacks and Whites. Paul Wong continues to explore the idea of self-identity by investigating gender boundaries through the inclusion of a set of identical male twins and two female impersonators who portray twins and two female impersonators who portray twins in the cast. The video uses recognizable television and cinematic framing devices to highlight the idea of the construction and dissemination of stereotypes through the broadcast news, cinema verite, interviews, etc. Comprised of short scenes, So Are You is faced paced and entertaining.

So Are You

NR 1995
Black Salt Water Elegy

A short film that weaves together original and archival material to create an ethereal narrative texture, Black Saltwater Elegy intimately links the discordant threads of a popular history of dispossession (Africville) with the solitude of its protagonist's graveyard-shift fantasies. After opening with disquieting archival footage of the demolition of Africville, the film shifts to an austere observational portrait. A palatable sense of the duration of midnight work slowly shifts into subtle gestures that hint towards choreographed events. Eventually, a breech occurs as the protagonist fuses with an emergent dreamscape, where ruined landscapes and a resurrection of an extinct community intertwine. Using the protagonist's disembodied point-of-view, the audience floats above a reconstructed Africville, one forever present, nesting in a bed of saltwater fog.

Black Salt Water Elegy

NR 2010
Comedy

"This two-part video is a newcomer’s portrait of Montréal. I spent my first winter in Québec in a cold, dark, first floor apartment. I sat in the kitchen beside the electric heater, drinking coffee while watching the electric meter, wondering how I would pay my bills. At night, I looked at the illuminated “Q” on the Hydro Québec building and imagined how much it cost to keep it lit. In the second section, a man looks for meaning in the tile patterns of the Champ-de-Mars metro station. I took his search to an end more absurd than anything I could hope to enact. The moral of these two tales is: “Don’t lose you sense of humour”. It’s from this cliché that the video derives its title." - Nelson Henricks

Comedy

NR 1994
Groove, Slam, Work It Back

Groove, Slam, Work It Back gives a glimpse into Sayla and Ishi's grief, as they meet at Sayla's mother's for the new year. They prepare to watch the sunset by dressing in colourful outfits, having a dance party and poking fun at each other. However, when comes the time to talk about Sayla's late sister, simultaneously Ishi's late girlfriend, they have conflicting approaches. As Sayla continuously withholds information, Ishi prods to know more about the sisters' mystery tradition. When everything comes to a head, who decides the best way to grieve? Through their interactions, Ishi and Sayla learn to be more patient with each other and look ahead to this journey of mixed memories and shared joy.

Groove, Slam, Work It Back

NR N/A