Discover Movies

65,133 Matches Found

Miłość

Maria and Tom are in their thirties and have been married ten years. They live in a small town. Both find professional fulfillment in their jobs he in a design company, she at the town hall. They are working together on the decoration of their apartment and are expecting a baby. It seems that nothing is capable of disturbing their peaceful lives. But one day the mayor, who has long lusted after Maria, rapes her. She decides not to report this to the police. Nor does she tell her husband. From that day forth, their love is put to the test.

Miłość

5.5 2012
Magical Girl Lyrical Nanoha: The Movie 2nd A's

Six months after the events of Magical Girl Lyrical Nanoha: The Movie 1st, Fate has returned to Uminari City with Lindy as her legal guardian and is living the life of a normal elementary schoolgirl along with Nanoha and her friends. The reunion between the two new-found friends is cut short, however, when they are assaulted by four ancient magic users who identify themselves as the Wolkenritter. As the motives behind the actions of the Wolkenritter become clear, Nanoha and Fate find themselves in a race against time to stop the reactivation of a highly dangerous artifact known as the Book of Darkness.

Magical Girl Lyrical Nanoha: The Movie 2nd A's

6.7 2012
Dhenikaina Ready

Veera Narasimha Naidu (Prabhu) is a faction leader in Kurnool who raised his sister Saraswati (Seetha) with love and Affection to make her forget the loss of their Mother. During the marriage time, she eloped with Basha (Suman), whom she loved which led the death of Narasimha Naidu's Father. Thus enraged Narasimha Naidu cuts the leg of Basha which created a rift between the two families. On a case to win the property belonging to Saraswati, Basha wins the case on Narasimha Naidu after a long gap of 25 years. Seeing the sorrow of Saraswati, her son Sulaiman (Vishnu Manchu) vows to unite the two families and waits for a situation.

Dhenikaina Ready

4.8 2012
2 Alam

Day, it started in a remote village with a very few of it's resident headed by Ustaz Ishaq were busy preparing themself for a burial ceremony. The remains of Amy @ Adam , one of their native arrived and things went wrong. Finnally, after a heated arguiment, Juan Agustin ashamed. Amy choose suicide. Back at the village, after Ustaz Ishak and villager manage to handle problem at hands, Amy's body were finally. Put to reet ooutside the cemetery borer dawn. In the finasl stage, Ustaz Ishak read 'talkin' as a final act in saving goodbye and farewell to his once beloved childhooh friends.

2 Alam

NR 2010
Icons of Light

Katharina and Steffen seem like the quintessential successful Berlin couple -- they have well-paying jobs, a loving relationship and a spectacular apartment. One night, fed up with the predictability of their lives, they decide on a radical change: They're going to extinguish all traces of their existence and start over. They set up a camera to film the process, hoping others will follow their lead. They begin to destroy their belongings, empty their bank accounts and erase the digital remnants of their lives. Even from their best friends, the couple Robert and Paul, they intend to hide their plan to disappear forever. As everything around them breaks into pieces, their film takes a turn of its own - and their secretive revolution becomes a fight for their love.

Icons of Light

5.0 2016
I Can't Live Without A Dream

Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...

I Can't Live Without A Dream

6.0 2013
Karuzela

Karuzela is a four person drama. It is a journey inside the souls of the main characters across the reefs of everyday dilemmas - the merry-go-round of life. An individual approach to the subject, obscure narration and absence of easy answers is what allows every viewer to embark on their own journey around the universal story told in the film. They are not even 30 years old and they have problems with finding work. When something comes their way, it is only a temporary 'junk contract'.The characters have to overcome their weaknesses and face the harsh reality.They are taking their life exams and do not want to make wrong choices again.This is a game witch will evoke emotions, allow to identify with the main characters and their complex world

Karuzela

1.0 2014
Circuit

Mía is applying for a job as a photographer in Vic's studio, but she manages to show up when the hip, famous pro is having a really bad day: his model girlfriend Ana has just dumped him. He decides to leave Barcelona for 1,000 days and suggests that Mía take his place. This 1,000-day stint sets in motion all kinds of mini-stories, tales of love and romantic misadventure, creating concentric circles which fleetingly fill Vic's studio with the colorful characters who turn up for various photo shoots, modeling work and castings. The models let themselves be hauled through an artificially-created world, putting work before love, yet also seeking affection in an unreal world.

Circuit

NR 2010
Tanna

In a traditional tribal society in the South Pacific, a young girl, Wawa, falls in love with her chief’s grandson, Dain. When an inter-tribal war escalates, Wawa is unknowingly betrothed as part of a peace deal. The young lovers run away, refusing her arranged fate. They must choose between their hearts and the future of the tribe, while the villagers must wrestle with preserving their traditional culture and adapting it to the increasing outside demands for individual freedom.

Tanna

6.6 2015