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Después de la tormenta

This Mexican melodrama may have been released above the border as After the Storm. The principal characters are a pair of twin lighthouse keepers. They try their best to live together with their wives under the same roof, but the delicate balance is shattered when one of the brothers falls in love with his sister-in-law. When one twin is lost during a storm, the other assumes his identity, with the expected romantic complications. If Despues de la Termenta sounds familiar, it is because the screenplay was inspired by the 1946 Bette Davis vehicle A Stolen Life.

Después de la tormenta

6.8 1955
See You Again

Nurwati's relationship with Lieutenant Sutrisno was supported by her father, but opposed by her mother because the lieutenant was not rich, and her mother preferred Tirtoroso, who always looked classy. Sutrisno, from Yogya in mid-1946 was assigned to Bali via Banyuwangi beach. The attempt to go to the Island of the Gods was successful, even though he was forced to receive treatment from the residents of the island of Nusa Penida. After returning to Yogya, Nurwati became Tirtoroso's mistress.

See You Again

NR 1955
Public Opinion

Following the death of his wife in unclear circumstances, the mechanic Egisto Bianchi is accused of auxoricide. A journalist begins to take care of the case and ignites public interest with a successful press campaign. The accused is acquitted for lack of evidence, but the reporter thinks he can still take advantage of the case by making a film of it. He then convinces some filmmakers to draw from the episode the subject of a film in which Bianchi himself will be the protagonist. During the filming, the reporter discovers that Bianchi's wife was cheating on her husband. So he then decides to modify the film script, including adultery, and to be able to shoot without problems he makes Bianchi go away. But he returns and, unseen, witnesses the new scenes of the film in the cinema of the country. Bianchi convinced that adultery is an invention, protests for the change, but the journalist reveals the truth to him, bringing the story to a dramatic ending.

Public Opinion

7.0 1954
A String of Blue Beads

A STRING OF BLUE BEADS is a slight little Christmas tale that was a pilot for an anthology series of short stories that never came to be. What makes this little film fascinating is it was one of the earliest color broadcasts on television and happily is one of the few early color productions for TV that can be seen in color now. Early color television productions seem to have had a limited color capability much like the early 1930's attempts at Technicolor. This actually adds to the charm of this little Christmas story giving in an "old time" feel.

A String of Blue Beads

6.0 1953
Pull My Daisy

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

Pull My Daisy

6.1 1959
La Madone des sleepings

Lady Diana Winham is beautiful, wealthy and a widow, so she's courted. She travels Europe in luxury trains, earning her nickname. One of her riches, a uranium deposit in a South American country, attracts the attention of international secret agents. Lady Diana is at the center of a spider's web, with the French, British and Germans all trying to get their hands on her. Helped by the love of Armando, whom she met in San Miguel, she gives the deposit to her secretary Gérard as a reward for his services.

La Madone des sleepings

6.0 1955