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The Cross and the Banner

In this uneven tragedy by director Philippe Ducrest, a misunderstanding brings out the murderous side of one of the protagonists. The popular Michel Galabru makes one of his early screen appearances as a thief who in his haste to escape from the law, stuffs a diamond necklace he has just stolen into a purse in a store. The woman who buys the handbag takes it home without inspecting its interior and leaves it where her husband notices it, opens it up, and sees the valuable necklace. Immediately jumping to the conclusion that his wife has been up to no good, his reaction leads to a separation -- and much worse.

The Cross and the Banner

8.0 1962
Das schwache Geschlecht muss stärker werden

The weaker sex must become stronger - but how can this be achieved? The central keyword of the six filmmakers Claudia von Alemann, Susanne Beyeler, Erika Runge, Helke Sander, Ula Stöckl and Hanna Laura Klar is: emancipation. Together, they will discuss the importance of films for feminist consciousness-raising and the role of female filmmakers in this process. A statement will be followed by an exemplary feature film scene. Claudia von Alemann talks about the unequal division of housework and advocates the remuneration of this work. How can the relationship between work and family be improved for working women? What about bringing up children? What steps are necessary to overcome the unequal gender order? One thing is clear: Film work is political practice.

Das schwache Geschlecht muss stärker werden

NR 1969
A Leap Year

On the streets of the regional city, a cheerful holiday bustle reigns. The apartment of the Kupriyanovs is also noisy — friends of their youngest daughter Yulka are preparing for the New Year. The old driver Leonid Kupriyanov will not have to celebrate the holiday with his family, he should go on the next trip. Preparing for the New Year, none of the heroes imagined what dramatic events would fall on them, how difficult and unexpectedly the destinies of three families would intertwine, how difficult it would be to recover from their experiences ...

A Leap Year

10.0 1961
No Exit

The Valet enters a hotel room with Joseph Garcin in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano and Estelle Rigault, are then led in; afterwards, the Valet leaves and locks the door. Realising that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories. Adaptation of the play by Jean-Paul Sartre.

No Exit

4.8 1962
The Guns

A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.

The Guns

7.5 1964
Shingo's Original Challenge, Part 3

The adventures of Aoi Shingo continue. Shingo is finally given permission to officially meet his father, the Shogun. However, his journey is disturbed by those who wish to claim his life. This is the third part of "THE 10 DUELS OF YOUNG SHINGO", following the first 2 parts (which were actually done as one movie). The tension mounts as young Shingo must face obstacles the like of which he had never before seen. And, can he avenge the death of his master? The man to whom he owes everything.

Shingo's Original Challenge, Part 3

NR 1960