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Gunga Jumna

Widowed Govindi lives a poor lifestyle in Haripur along with two sons, Gungaram and Jumna. While Jumna is studious, Gungaram is the opposite, but has a good heart and decides to use his earnings to ensure his brother gets a decent education. After her employer, Hariram, accuses Govindi of theft, the shock kills her. After her passing, Gungaram works for Hariram while Jumna goes to the city to study and becomes a police officer. His first assignment is in Haripur, where he will be forced to confront Gungaram, who is now is the leader of a dreaded band of killer bandits.

Gunga Jumna

6.2 1961
Purple Night

One stormy night, a poor music student (Patrick Tse) meets a famous dancer (Josephine Siao). In one night, he composes for her the musical of her dreams: A Purple Stormy Night. The management of her dance company is divided on the musical, but the dancer manages to dispel all their doubts and the musical becomes a great success. The student and the dancer fall in love, but there is a shadow side to happiness: corrupted by success, the next musical they make is superficial. "Purple Night" shows the dangerous influence commerce can have on artistic integrity and is also about themes such as love and friendship, the relationship between art and life and the conflict between rich and poor.

Purple Night

7.0 1968
Prague Nights

A stuffy middle-aged foreigner, a businessman named Fabricius, lonely and looking for a night's diversion, finds it in the form of a mysterious blonde. In an abandoned cemetery, she tells him three tales involving black magic and erotic obsession. In "The Last Golem," a young rabbi struggles to fashion a massive, silent giant out of living clay — until he's distracted by a mute servant girl. In the second episode, "Bread Slippers," an 18th-century countess indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids until a mysterious visitor whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her. And in the final story, "Poisoned Poisoner," a ravishing murderess in the Middle Ages dispatches lecherous merchants to the tune of upbeat '60s Czech pop songs.

Prague Nights

5.8 1969
G-men of Japan 5: Skyscraper Wolves

G-men of Japan fifth installment. A young detective, questioning a double suicide involving his police officer friend and a Turkish girl, travels all the way from Kyushu to Tokyo. Disguising himself as a yakuza member, he intends to root out the underworld's base of operations, weaving together love, guns, and violence to unravel the mystery behind the enigmatic incident and the true nature of evil. This thrilling action drama combines suspense with excitement, depicting a tale filled with love, fists, and firearms.

G-men of Japan 5: Skyscraper Wolves

NR 1960
Twosome Beneath the Skies

Stefan and Tanya arrive in a miners' settlement. They register as a married couple at the hostel, but Tanya admits to the house managers that Stefan has a wife but has started divorce procedure. The two have fled from the scandal. Stefan starts work at the mine and she waits for him in the hostel with little to do. Her mother arrives. Unable to swallow the humiliation of having been rejected by Tanya's family, Stefan gets drunk. When he comes back, he starts a row and has to be restrained. Stefan takes offense, leaves the mine, parts with Tanya, and becomes a waiter in the pub. Soon he obtains a divorce. He wants to take Tanya back to his native town. She refuses to give up her new friends and the steady job she has found. Stefan sets out alone. At the very last moment, he jumps from the bus...

Twosome Beneath the Skies

8.0 1962
The Alert!

A series of four films presented as educational clips about work safety in a chemical factory presents a multi-layered reflection on the ambiguity of life and death, waking and dreaming, seen through oppressive black and white images and episodic narrative. The enigmatic story of a young couple employed in a socialist factory is characterized by the constant repetition and variation of motifs that ironically violate safety rules. „Inhale as much air as possible, to have what to offer.“

The Alert!

3.0 1967
The Outlaws

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

The Outlaws

8.0 1969