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Disturbed by the conditions of his life and paranoid over an assumed observer, an innoportune man enters a mysterious house and follows the den of his torments. At the heart of the house, the innoportune man has an epic of self-knowledge, battling out to the core of his soul against his anguish.
Diogo is a young man who moves to the countryside to live with his aunt Gisélia, a deeply religious woman who hasn’t seen him in over ten years. Their forced coexistence stirs up memories and unspoken moments from the past, revealing inner conflicts and long-held secrets.
Haunted by a tragedy, a young man lose himself on memories, searching a new meaning for his life.
Through different restorations and languages, the characters rehearse the durability and future of images. When spirits appear, a symphony emerges, from the street to the cinema.
an experimental film about the technological and existential progression and evolution of cinema.
Inaiá, a dream representation of the regency of waters, travels through landscapes of the city of Belo Horizonte and the basin of Ribeirão Arrudas; places that once harbored rivers, and today are covered by asphalt.
Three different lives are suddenly intertwined by the news of a murder in the surroudings of the university.
A cinephile addicted to films romanticizes his life so much to the point of not knowing how to live with his own reality. Internal and external conflicts make this fine line of control become more indistinguishable as he experiences his day to day life.
Antonio Moreira's textile factory owed much of its success to worker Harry Lage, who had established new operating guidelines. Lage sought out Moreira, hoping to be rewarded for his efforts, but he received no response; a heated argument ensued between the two. Unsuccessful, the disoriented worker shot his boss and fled. Manager Mirtos, Moreira's enemy, framed Lage and provided the police a clue: a tattoo on the worker's arm.
Sasha, a young photographer living a mundane life, harbors a secret desire that sets him apart. Upon meeting Julia on a dating app, he sees the opportunity for this hidden desire to materialize.
In the middle of a zombie apocalypse, a couple try to fight against the time to accomplish their last promess.
Paulo tirelessly seeks to avenge his father's death, confronting his limits as he gets closer to the truth.
A body, tired of its head that can't stop overthinking, throws it far away to experience the world with the freedom they always wanted. Now each part follows their own journey dealing with the consequences of their separation.
First animation of Moisés Pantolfi da Silva. The animation was based on the observation drawings he makes on the bus (mostly in the city of Guarulhos) 14 years ago. The passengers were all based on these book drawings.
Juana and Carmela, two pregnant women, go out for help from the peripheral neighborhood where they live to hospitals in two cities on the border between Argentina and Brazil.
After another exhausting day in his routine, Aquiles wants to disconnect from the world and his responsibilities during dinner time. But when he faces a power outage, restricting himself from everything doesn't get any easier and dealing with Adrian's company doesn't please him at all. As night falls, Aquiles' insecurities and frustrations gradually increase, triggering a series of uncomfortable situations.
With mixed techniques, the short film "I don't know what nostalgia is anymore" brings a gameplay recording of the game "project zomboid" as the basis for a film that seeks to represent what loneliness means to human beings and how much we can find ourselves even without any help.
Short self-portrait about director Rafda'el Batista. In this short film Rafda narrates his relationships and complications with his vision of life, solitude and his existence.
In the film, the ballroom movement is portrayed, highlighting the importance of the so-called houses — ballroom communities that welcome LGBTQ+ people in situations of social vulnerability, especially Black people, trans people, and travestis — and offer them a new perspective on life within this cultural context. These houses provide a space of freedom to be yourself, to compete for prizes, and, most importantly, to show how brightly you can shine on the dance floor.
In a single shot, mysterious characters discuss about a cockroach problem.
Sara is the protector of her brother Soma. In order to keep Soma's feelings from being hurt, Sara must face six rivals.
Report of a person who hates June 12th, when Valentine's Day is celebrated in Brazil.
A woman and a man meet and arrange a next meeting.
A lonely man tries to enjoy a regular evening
Akin is a dedicated Cuban doctor working in Brazil for the Mais Medicos/More Doctors programme in 2018. From his daily routine in an indigenous community to his intimate moments with Érica and Sérgio, his relationship with Brazil gets deeper and stronger. With the election of Jair Bolsonaro, the cooperation between the two countries ends abruptly. He must make a decision: return to Cuba and abandon the relationships he has been cultivating or stay and reinvent himself without being able to practice medicine.
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Friends Severina and Maria José struggle to survive in a suburb of Rio de Janeiro. The first is a widow who sells flowers and the second has a lover who does little to help with expenses. Their children sell peanuts during the day. One day, the children get lost and are found again at Jaks' house, who offers to sell Severina certain suspicious merchandise, disguised among the roses.
A customs agent, Dr. Amnésio, examines some reels of film, a documentary Orson Welles made about Brazil, and tries to confiscate the material. Then, a party in which repression agents celebrate their victory against freedom and creativity.
When her sister and a former love return to Marta's life, silence gives way to reunions marked by resentment, memories, and the desire to reconnect. Between what was and what may yet be, the affection between two women seeks to blossom anew.
The encounter of two ghosts in a jewish cemetery in São Paulo set the haunting stage for this dark coming of age, where mourning heritage and mourning love is to understand who lives or who dies.
Rian is a young peripheral man who, like many others, grew up in a troubled family and was abandoned early on by his older brother, Pigarro, who was forced to flee to Plutão, a new favela created on the banks of Ceilândia to shelter opponents, said by the government as "subversives".