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Camera Sutra (or the Pale Faces)

The Herts Camera Sutra or The Palefaces (1973) is a militant and visually fragmented critique of Belgian bourgeois society, blending documentary collage with semi-autobiographical fiction. De Hert attacks the distractions of nationalism, religion, and popular culture while exposing capitalism, social injustice, and postcolonial exploitation. The film’s second half shifts to a disillusioned group of rebellious youths, revealing the uncertainty and emotional paralysis behind revolutionary ideals. Both politically fierce and deeply self-questioning, the film captures the tension between radical ambition and powerlessness.

Camera Sutra (or the Pale Faces)

10.0 1973
Michael the Brave

An epic fresco depicting the reign (1593-1601) of Mihai Pătrașcu (better known as "Mihai Viteazul" / "Michael the Brave"), the famous prince who united the three provinces: Transalpine Vallachia, Transylvania and Moldavia, into the country of Romania, at the end of the 16th century (1599-1601) against the opposition of the Ottoman and Austrian Empires, this movie features large scale battle scenes mixed with political intrigues, murderous treachery, and family drama.

Michael the Brave

7.3 1971
The Seduction of Joe Tynan

Respected liberal Senator Joe Tynan is asked to to lead the opposition to a Supreme Court appointment. It means losing an old friend and fudging principles to make the necessary deals, as well as further straining his already part-time family life. But it could be a big boost to his career, so he takes it on. Helping him prepare the case is pretty southern researcher Karen Traynor, and their developing relationship further complicates and compromises his life.

The Seduction of Joe Tynan

5.9 1979
Das Pferdemädchen

Irka and Raya are best friends, one always knows immediately what the other wants. Irka is young, lively and a girl, Raya is old, blind and a proud mare who had great times as a show horse. The two are inseparable. But when Raya has a foal, Irka turns her attention to the small, helpless and cute animal. Her father had actually promised that she could keep both horses. One day, however, he tells her that she has to part with one of the horses. Irka has to decide for herself: The cute foal or the old mare?

Das Pferdemädchen

8.0 1979
Autumn Marathon

Andrey Pavlovich Buzykin, who makes a living by teaching at an institute and translating English literature, is cheating on his wife. Buzykin's main problem is that he's a kind man with a weak character. The lies he is telling his wife all the time are inconvincing, but he never has the courage to tell her the truth. His lover, Alla, is aware of his family life, but gets offended when, for example, he cannot meet her so that he doesn't come home late, or when he doesn't want to go home in a new jacket she gives him to avoid having to explain to his wife. Alla and Nina, Andrei's wife, both leave him, forgive him, and return to him at the same time, and Andrei continues with this kind of life, full of suffering and deceit. Finally, both women are so fed up with his lies that they don't believe him even when he is telling the truth...

Autumn Marathon

7.1 1979
Cruelty: Black Rose Torture

In pre-war Japan, Yumiko, an aristocratic lady, accompanied by her maid, travels to Tokyo to visit her brother. Unaware that her brother has become involved in anti-governmental activities and left the city, the two women are captured, raped and tortured by the military police. Two years later, during the war, the government confiscates Yumiko's estate, turning it into a torture chamber for the inquisition of prisoners. Yumiko and her maid are among those who are subjected to sexual indignities.

Cruelty: Black Rose Torture

3.8 1975
Woman of the Night

A captivating examination of human obsession and love, Woman of the Night offers three stories in one film. In the first tale, a perverse young student with a voyeuristic habit spies on two of his female roommates. The second story follows an office manager who develops an infatuation with his secretary. The last part is a complex family drama about a debilitated father who forces his family to leave him, only to have a bittersweet reunion when his daughter’s life is threatened.

Woman of the Night

5.0 1973
Poisonous Kiss

Sari plans to give her virginity to her fiancé, Wisnu. The plan is destroyed when Denny and friends rape her. Then they beat Wisnu until he becomes paralysed. Sari plots her revenge. She tortures the rapists one by one until she meets the leader, Denny. Denny has a poor family background and a widow, Thelma, supports him financially. He is finally found in a club where Sari works as a singer. One day Sari receives an invitation from Thelma. Denny is planning to repeat what he did to Sari. Sari manages to resist and takes her revenge. At the same time Wisnu appears and kills Denny. Then Thelma, kills Wisnu. Sari and Thelma end up in court.

Poisonous Kiss

NR 1976
Flame

A man wanders around the mountains with a bleeding leg, holding a rifle in his hand. Seemingly a fugitive, he runs from as-yet unknown pursuers, but he also seems to be following somebody who has already walked the same path. As he hides in a secluded cave, past memories sweep through his exhausted mind, memories of lifelong cowardice and evasion. And this recollection leads to a reconstruction of early 20th century Korean history. Winner of Best Picture (Nam-a Pictures Co., Ltd.), Best Actor (Ha Myung-joong), Best Art Direction (Kim Yoo-joon), Best Lighting (Son Young-cheol) at the 14th Grand Bell Awards. (source: Jiro Hong, koreanfilm.org)

Flame

7.0 1975
Pohjantähti

Jussi Koskela clears a plot of land for his family in the village of Pentinkulma in southern Häme. His son Akseli joins the Red Guard and takes part in the Civil War of 1918, at the end of which he is imprisoned. After his release, Akseli returns to Pentinkulma and tries to raise his family with his wife Elina, as well as acquire more land for his croft in a politically hostile environment. The Winter War and Continuation War take a heavy toll on the Koskela family, but despite this, life goes on.

Pohjantähti

7.5 1973
The Fossil

An industrialist is diagnosed with terminal cancer. He is abroad in Europe at the time, and a glimpse of a Japanese woman in that setting causes him to imagine her as the personification of his impending fate. As his dialogue with his imagined mortality continues, he meets the living woman, the template for his fantasy, and together, they tour rural churches. Gradually, he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges that profoundly test the lessons he has learned.

The Fossil

7.0 1975