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The Man From Cairo

"The Man from Cairo", a Michaeldavid production for distribution by Lippert, with Ray Enright the only credited director on the film print, finds Mike Canelli, the man from Cairo, nosing around Algiers with mystery surrounding the people he meets and the things he does and has done to him, all deriving from the war-time theft of $100,000,000 in gold which lies somewhere in the adjacent desert. People representing many nationalities and reasons are also seeking the gold. It boils down to a battle between Canelli and the original looter aboard a speeding train.

The Man From Cairo

5.6 1953
Forever with You

Gwang-pil (Lee Ryong), Dal-su (Choi Bong) and Sang-mun (Choi Myeong-su) are gangster boys who pick pockets. Ae-ran (Do Geum-bong), who works at a bakery, and Gwang-pil have known each other from childhood and are lovers. The three gangster boys rob a US army warehouse, but only Gwang-pil is caught and placed in a juvenile reformatory. Hearing that Ae-ran works as a barmaid, Gwang-pil escapes from the reformatory to see her. While Gwang-pil meets her, he is caught by a cop who has been chasing him.

Forever with You

6.7 1958
Ein Lächeln im Sturm

Katrina Mercier and her husband arrive in Canada's far north to run a trading post. Another trading post owner, Langrand, and police sergeant Spenlow, the only two civilized people in the area, fall in love with Katrina. They follow the husband and wife as they head further north for a chance that, until now, the husband has been reluctant to take. One day, Mercier catches his partner, an adventurer, trying to take advantage of Katrina; he kills him but is wounded. The couple and the two other whites attempt to return south, but Mercier dies of his wound along the way. Caught in a storm, the three survivors get lost; the dogs abandon them. Spenlow, realizing that Katrina loves Langrand, sacrifices himself to leave them his supplies; he is devoured by wolves. Langrand and Katrina are saved in extremis by a hunter.

Ein Lächeln im Sturm

NR 1951
Spring of Jade Hill

Lin Tian-liang (George Wang), head of the Lanshan Forestry Station, returns to his hometown and reunites with childhood friend Chun-mei (Wu Ching-hung). Their bond deepens while fighting a forest fire. But fellow villager Chou Chin-fa (Ching Miao), scheming for Chun-mei, causes trouble and even sets the forest ablaze before fleeing. Five years later, thanks to Tian-liang and Chun-mei’s efforts, reforestation thrives. The two finally unite as a couple, and Chin-fa is captured—bringing the story to a happy ending.

Spring of Jade Hill

NR 1959
The Naked Venus

A young American painter and his French wife move with their small daughter to the US when the husband's father dies. His mother takes an instant dislike to the wife, and when she finds out that her daughter-in-law is a nudist who once posed naked for an artist, she declares her son's wife to be an unfit mother and sets out to break up the marriage--which may not be difficult to do, as the son is a weak-willed "mama's boy" who's terrified to stand up against his domineering mother.

The Naked Venus

4.8 1959
Before Breakfast

A man, whom we don't identify, kills himself with his razor because he can no longer bear the complaints of his wife, whose face we can't see well either. An impressionistic work with very close shots that cut out reality until, for example, the faces of the characters are omitted. A kind of description and brief chronicle of daily life in a house for a few minutes serves as a framework for the irruption of an unusual tragedy. Filmed without sound, it lacks any subsequent dialogue, although a piano band with a jazzy air has been added.

Before Breakfast

5.0 1955
Stealing the Beauty's Corpse at Night

It is a simple story with a deep meaning. When the beautiful chanteuse Hung (Law Yim-hing) is forced to marry Commander Lau (Lau Hark-suen), her brother (Cheng Wai-sum) interferes but is brutally beaten to death. Hung also falls to her death when she tries to escape. The siblings are only hastily buried in a coffin home, which is haunted soon afterwards. Hung's lover Wong (Wong Chiu-mo) later sneaks into the haunted house hoping to see her for one last time; Lau, meanwhile, insists on inspecting the coffin home and the corpses to prove that ghosts do not exist…The film creates an eerie and uncanny atmosphere with its well-designed camera angles, sound and editing. The haunting looks of the two ghost characters are a nod to Hong Kong's typically told horror stories.

Stealing the Beauty's Corpse at Night

NR 1955
The Two Truths

The young Loris is undergoing a trial for killing his girlfriend Maria Luce. According to the reconstruction of the facts, the young man would shoot his mistress making it then end up under the wheels of a tram. On the remains of the woman's body, however, there is no trace of a gunshot wound and, during the trial, the accused, who appears hypnotized, refuses to answer. The arrival of the ex-lawyer Cidoni, who takes the place of the defense, overturns the thesis of the prosecution and instead demonstrates that the victim was not a naive girl as had been believed up to then.

The Two Truths

9.0 1951
The Real End of the Great War

Róża marries a promising young architect, Juliusz. Then World War II breaks out and within weeks Juliusz is deported to a concentration camp. Months, and then years go by, until Róża abandons any hope that her husband might return. She meets and falls in love with another man, and tries to put her life back together, but one day, unexpectedly, Juliusz does return - a shattered, mere ghost of his former self, physically crippled and tormented by memories of the camps. First out of duty, then out of pity, Róża starts to care for him, but her feelings slowly are transformed into a kind of revulsion

The Real End of the Great War

8.3 1957