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Lord Claverton, an eminent former cabinet minister and banker, is helped to confront his past by the love of his daughter, his Antigone.

Miranda and Josef's relationship is shaken when Anastasia enters the couple's life. The chronology of a partnership unfolds: from getting to know each other to the fading of passion.

Separated and fragmented, the scenes combine in a series of tableaux to tell the story of Wozzeck, an ordinary soldier whose only solace is the love of his companion Marie. However, the latter’s fidelity is not unfailing and Wozzeck is haunted by torment. His officers and comrades in arms do little to improve the situation. The omnipresent tension in this profoundly romantic work unifies the fifteen scenes with their complex tonalities alternating between Verist notes and the force of ritualised actions. Christoph Marthaler’s production provides an atmosphere of contemporaneity strongly accentuated by the choice of a single set, where the men’s despair is submerged in Berg’s dearly sought-after sobriety.

When Dr. Schmith's proposal for international research on infant mortality is rejected, he decides to leave East Germany and strikes a deal with an escape agency that promises him a leading position at a children's hospital in West Germany. But then the decision is reversed: the project is approved and his international colleagues want Dr. Schmith to head the GDR section. Moreover, he falls in love with his new colleague, Katharina. Schmith initially tries to ignore the arrangements he made with the escape agency, but they blackmail him. Things soon turn deadly...

Young man follows his sister everywhere with video camera and microphone and also accompanies her when she contact with men.

A short directed by Philipp Wagner.

The 12 year old Ina struggle to become a great pianist. Success depends on the music competition "Ein Herz für Mozart". Ina is sent by her mother's command to piano lessons. The piano teacher Holger produces in his free time experimental music from sound collages, but can not prevail with his works in the professional music business. Ina takes a liking to the sound collages of Holger and flees from her domineering mother to him.

A young woman works in a Berlin hotel while her husband, a commercial art student, drives a cab. They are 3600 DM in debt. In order to pay the rates, the woman agrees to work as an entertainer in a bar against her husband's wishes...

Recently greenlit project. Sebastian Schipper to direct. Screenplay by Schipper and Oliver Ziegenbalg. Said to be a dark film in the plattdütsch language (Low German), about a man in his mid-30s who just wants to come home for two days and then right back to New York where he lives, but stays.

Alexander sits in the pub and wants to be left alone. The fake sailor Konstantin sits in the pub because he can't leave his fellow men alone. That evening, however, he has his sights set on Alexander and won't let up until he reluctantly tells him about his accident at work. After the accident, he is only good for desk jobs, which leaves the once perfectly healthy construction worker struggling with his fate. Unasked and uninvited, Konstantin provides the embittered Alexander with more than enough work by declaring him responsible for a long overdue road construction project in the municipality. The old man takes not only Alexander by surprise, but also the mayor. He had put off planning the project for far too long. Understandably, neither of them are thrilled, but now that things have got rolling, they have to act...

Harry Domela lives well, when he poses as a prince.

Marco and Lisa are in love. Online, they fight together against dreadful monsters. Sometimes they die on their mission, but there’s always one life to spare. Yet, Lisa refuses to meet Marco for real. One day she stops showing up for the game, Marco decides to go searching for her.

A young policewoman from Hamburg is torn between rigid adherence to her professional ideals and the testosterone-fueled power lust of her head of operations. After her training at the police academy, 24-year-old Laura begins her service in a task force of the Hamburg riot police. Sooner than expected, she realizes that the daily routine in the social hot spots of society is draining. When she makes a serious mistake during an operation, she has to decide what kind of policewoman she really wants to be.

The nine-year-old orphan Therese has recently moved in with a family of gardeners. She continues to take loving care of her former foster mother, from whom she had to leave when she fell ill with a heart condition. With the help of old Jacob, the girl manages to grow a particularly beautiful rose. After some complications, this proves to be a stroke of luck, and not just for her.

Austria silent film from 1925 directed by Hans Otto, telling the story about the Austrian officer who rose to head the counter-intelligence efforts of Austria-Hungary. He was himself a paid spy for the Russians.

This is a story set in the distant past, in the seventeenth century, during the Thirty Years’ War. In the city of Nordhausen, in the Harz Mountains, life is cheap, and the prevailing class divisions and interpersonal relations increasingly intense. The children are taken away from their parents by force, and when they return after many years, they seem to be strangers to them. Yet this is also a story set in modern times where people are still incapable of learning the lessons left for them by the previous generations of cruel divisions. The film is a cinematic experiment dealing with the beauty, fragility, and imperfection of human nature through archetypes and myths.

Young Prince Nechljudov is summoned as a judge in a murder trial. A rich merchant was found dead in the room of the inn where he was staying and the prostitute Maslova was accused of the crime. Nechljudov recognizes in the woman the maid of the aunts he had seduced and abandoned years before and tries to convince the authorities of her of his innocence but to no avail. Convinced that he is responsible for her moral fall, he follows her to Siberia where she must serve her sentence.

Adem and Novak, two very different young men, escape from a desolate planet in a small, old spaceship in search of a new home in space.

A burglar hangs dead in St. Andreasberg from the roof of a holiday home that a mysterious art restorer lives in. This time, the village policeman Frank Koops received unwelcome support in his investigations: The ministerial official Kramer sent from the state capital did not leave his side to critically examine the capacity utilization of the remote police station.

After King Creon of Agrigento was overthrown with Hades' help, the patron goddess Lucina wrested a bet from Hades: If she could create a "king without a kingdom," a "hero without courage," and a "beauty without youth," Creon would become king again. The poet Ewald and the tailor Simplizius Zitternadel accomplished the task with Lucina's help.

Couples and families in the days after September 11, 2001. All relationships become complictaed, but only one of the four nested stories surrounding a German who condemns the attack, and her husband, a Muslim who advocates it, offers approximate a discussion approach to the attack. The remaining episodes are poorly staged, construction-looking relationship tragedies.

Anna is a factory worker in East Germany, but her five-year-old son Jochen lives with his grandparents in the West. Anna wants him to live with her, so she abducts him. Along the way she meets Carl, who helps her cross the border, and they fall in love.

A woman takes time in private on a tiny island in Helsinki to contemplate a loss that has caused sudden changes in her life. This tragedy has challenged her to see the world in a different light. A light that is driven by a force of nature.

Astrid is a comedian who makes people laugh for a living; her husband Markus is her manager and the two of them work well together. They have a nine-year-old daughter and are expecting their second child. When they learn that their child will not be born healthy, they are at first optimistic that they will be able to meet this challenge – although they have no idea what awaits them. But the closer it gets to the due date, the more Astrid begins to worry about the future of her unborn child as well as that of her family and her career. After many discussions and arguments Astrid realises that the decision that will affect all their lives must be made by her alone. What complicates matters further is the fact that, as a successful entertainer, she is in the eye of the public and the media.

The three daughters of the Dessau merchant Sellmann move with their father to Prague in 1936, where he accepted a position as director of the Böhmische Landesbank. For the three different women begins a new life, which accompanies the film over a period of ten years.

A beautiful woman, Supergirl Francesca Farnese, appears out of nowhere on a Bavarian highway. She wears only an orange jumpsuit and wants to go to Washington. Playboy Charly first takes her to Lake Starnberg, where she meets best-selling author Evers. He immediately leaves his wife and travels with Francesca to Spain, where he negotiates a project with the American film producer Polonsky. No one remains unimpressed by the mysterious beauty. Supergirl remains elusive— she quickly disappears again, leaving behind a warning to the inhabitants of Earth that an attack from outer space is imminent...

Frank and Paul are best friends forever and raised Frank's daughter Lilli after a tragic car accident. The two men scrape a living by working as barmen and bouncers in a strip club while Lilly has grown into a lively and self-confident teenager. The disaster unfolds when Lilli seduces Paul and gets pregnant.

Leben um Leben is the sequel to the 1915 murder mystery Das Tagebuch Collins (Collin’s Diary). Leben um Leben resumes the story with the honeymoon of Peter Tomson and Ellen, who earlier had played the key role in discovering Collin’s diary and clearing the name of her future husband. During their stay, they again cross paths with Carmen Metschersky, who has managed to survive her suicide attempt and was acquitted of the murder charge due to lack of sufficient evidence. Her accomplice Peppo Pastia was convicted, but later released thanks to her help. When Carmen learns that she will inherit nothing from her deceased husband’s estate, she and Peppo (posing as her uncle Pedro Costa) hatch an elaborate scheme to seduce and murder Tomson’s business partner, Kurt Frederich. However, Ellen Tomson manages to foil their machinations yet again, and the villainous pair suffer a chilling end (in the truest sense).

A German movie about a woman who returns home from an apparent suicide attempt to find her boyfriend has another girl staying there. He has parties and she doesn't really seem to exist in her own apartment, but then out of the blue they reconcile and get married. She gets a job and steals from it and eventually goes off to start a new life.

Even years after the end of the coronavirus pandemic, Dora's life has not become any easier. The advertising copywriter urgently needs a change of scenery, space to breathe, and distance from her almost panophobic partner Robert. She spontaneously decides to escape to the countryside - to Bracken, a small village in the middle of nowhere. But it's not as idyllic as she had imagined...

Philophobic delves into the complexities of modern relationships, offering a glimpse into the emotional journey of a young woman navigating love and fear. Through the lens of her bedroom and the use of viewmaster reels, viewers witness her struggle to reconcile her longing for connection with her deep-seated fear of vulnerability. As she grapples with her emotional detachment, Philophobic prompts reflection on the fragile nature of Gen Z relationships and the universal quest for validation.

As Madsen and Maud explore the city of Ophir, they witness an ancient ritual performed by the residents. The two are discovered, and with strangers desecrating the city's sacred ground, Maud is to be sacrificed to the goddess Ophirs, while Madsen is taken to the Sabytes, an enslaved native tribe.

After a sexual assault, Toni (17) feels wrong and vulnerable—as if she no longer belongs in her own body. When she meets Anna, she feels a glimmer of hope that she can free herself from her past. But her experiences can catch up with her anytime, anywhere.

Factory worker Nadine falls in love with her colleague Paul. Years later, she questions her view of him. A romantic social drama about the magic of falling in love and the pain of falling out of it, set in the Rhineland lignite mining region.

A road movie about a dropout who leaves himself completely to chance. A parable about freedom, self-determination and the poetry of an undefined life.

A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.

Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions

About Icelandic composer Jon Leifs (1899-1968) who spent much of his life in Germany before WWII. The film begins in the 1930s after he has married the daughter of an industrialist, Annie, who is also a concert pianist. This era was frustrating for Leifs because his works were seldom performed. Iceland's submission for the Academy Award for Best Foreign Language Film in 1995