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Angélica

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.

Angélica

NR 2020
Asa

Shinta repeatedly calls her boyfriend, but she gets no answer. As if he just disappears in a thin air. Meanwhile in her school, Shinta becomes a gossip among her school friends. They talk about her video that is widely spread everywhere, including to her friends and neighbours. As if it’s not enough, Shinta also finds her self pregnant. And even more shocking, her best friend Ayun confirms that her so-called-boyfriend is a married man with children. It seems that Shinta’s world is crumbling down.

Asa

6.9 2020
A lesson in parenting

Bibi and Begbo are a very strange couple. Bibi always walks around covered in band-aids and Begbo wears clothes that are definitely not his size, and also he throws up whenever he gets upset. Despite this, they seem to get by pretty well with their every day life. But what is most startling is their son Albin - who looks like he is a lot older than four years old. In this absurd drama-comedy we follow the family's life coping with being different from everybody else and as well trying to raise their son.

A lesson in parenting

NR 2020
In the Mist

In the mist room, in the dim light, the steaming heat is floating and overflowing. The flickering male bodies, sucking each other's desire and loneliness, the more squeezed, the thirsty. You seem to have entered the forbidden area by mistake in formal attire, falling between dream and waking, staring, and being stared at. You can't remember how you came here or how to get out. Theater and video director Zhou Dongyan once again touched the life experience of gay men’s community culture that is hard to articulate but difficult to cut. This time, he moved the poetic lens language into VR, taking you and me to the male sauna, peeling off the layered desires, and exploring the hidden love in some kind of lovelessness.

In the Mist

NR 2020