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K (Rêves Berbères)

In this part, I'm dealing with the relationship of the Kabyles with the dream of elsewhere. To reach that aim, I shot a lot in Kabilye, and also in other countries. Through superimposition, the approach between the positive and the negative, tape-to-film work, a research into colour and some very tight editing in which I intercalate some articles about the kabyle cauldron, as well as other effects, I try to give shape to these visions of an elsewhere, that are passing, changeable, often false. While printing the film, I worked a lot on the diaphragm, going voluntarily from overexposure to underexposure, in order to render the blindness (that is the fever) and the ignorance of some populations about this elsewhere that they believe is an El Dorado.

K (Rêves Berbères)

NR 2007
What Goes Up....

Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are a series of tensions. Rather than using animation to produce seamless illusions, his films reveal cinema’s dual nature as both an illusion of movement and a succession of stills. The ultimate effect of his work is ecstatic: by combining various rhythmic patterns, abstract and photographed shapes, and flatness mixed with depth illusions, Breer energizes ordinary eyesight. The whole world can seem more alive, alive with rhythms and colors and shapes and textures as well, after seeing one of his films. But Breer’s films also often have a theme of failure, of failed movements and failed aspirations, and the title What Goes Up..., in referencing the idiom “What goes up must come down”, refers to his childhood dreams of flying (illustrated here as in many of his films with airplanes) as well as to the limpness that follows orgasm for males.

What Goes Up....

4.8 2003
The Jar: A Tale From the East

Based on a true story that was narrated over 1400 years ago, The Jar deals with the epic struggle between good and evil, and highlights the ethics and virtues every family values. Set in a Middle Eastern village, the story of the jar begins when a poor yet virtuous family discovers a lost treasure buried in a jar under their new home. In their quest to return the jar to its rightful owner, a jealous and greedy neighbor who has his eye on the jar foils their attempts. A fascinating adventure ensues as the towns-folk try to solve the mystery of the jar. There are also two mice who steal the family's eggs, but are defeated by the family's pet squirrel.

The Jar: A Tale From the East

8.0 2001
ficfyon7

The noise of the badly projected cathode ray tube image cleared up and a news program called "Ficfyon 7" appeared on the monitor. Professor Kim Wilson, an expert on the mysterious genre of "Ficfyon" was introduced as a guest, and the host asked him questions about the current state of "Ficfyon." The professor's answer was not in words, but a mysterious gesture. With the presenter's astonished expression, the images on the monitor split and repeat like a matryoshka. Eventually, the program ends as if nothing had happened, but the strange loop continues afterwards...

ficfyon7

NR 2004
All of the Dead

All of the Dead is a 2000 zombie horror brickfilm by Tim Drage and Tony Mines of Spite Your Face Productions. It is about the dead rising after the tomb of Anubis is disturbed. Though it is often stated as having being released in 1999, a making-of written by Tim Drage mentions finishing the film in August 2000, and the copyright in the film is dated 2000. It was among the first brickfilms available on the internet and was originally released under the duo's original production name, Underpendent Films.

All of the Dead

7.7 2000
Diolkos for 1,500 years

The story takes place near the famous Ancient Corinth (around the mid-4th century BCE), referring to its two harbours (named Lechaion and Kenchreae). Several ships, avoiding the dangerous travel around the whole of Peloponnese, were transferred from the Corinth Golf to the Golf of Saronikos, on top of an eight-wheel vehicle dragged along a stone-paved road (the “Diolkos”), almost parallel to the actual Corinth-Canal. The film describes several technical details of the whole operation, as well as various events such as the visits of the sailors to an ancient Greek Temple and to a tavern, where a hypothetically available Hydraulis (water organ) was played, or to a public fountain encountered along the Diolkos.

Diolkos for 1,500 years

4.0 2009