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These Are the Days

"These Are the Days is about the passing of time. It is a computer animation of falling paper, with a sound-track of people counting. By combining mathematical models of different physical phenomena such as gravity, elasticity and aerodynamics I can create abstracted simulations of natural systems. As well as the formal qualities that are explored in this work, I am interested in other possible readings. The endless flow of paper suggests the meditative space of a waterfall, yet also speaks of consumption and waste. Our lives are documented by a continual stream of paper, from birth and death certificates to supermarket receipts."

These Are the Days

NR 1994
The Ship of Fools

Admiral Flipside is one crazy sea-dog. Driven by a darker than black alter-ego he embarks upon a bizarre voyage of destruction and self discovery. Haunted by his subconscious he is driven by ghostly manifestations into a surreal world of circus and theatre inspired by Sebastian Brant’s 1494 book ‘Das Narrenschyff’ (The Ship of Fools). Unbeknown to him he is the leading actor in a stage play based on the ship of fools. He leads the witless fools on a disastrous voyage to find ‘Narragonia’ (Fools Utopia). Flipside finds himself the sole survivor after the ship is set upon by fire breathing monsters from the deep. He is washed up on the very beach that he left many years ago, only to discover his innocence waiting for him. Here at last, after so many long years searching, he is forced to confront the grim reality that is himself. These short films combine computer animation, traditional animation, video and concepts of theatre to produce a bizarre visual story.

The Ship of Fools

NR 1996
The Long Enchantment

A little girl espies a wondrous pony under her window one charmed moonlit night. Is it all a dream? Flora is spirited back in time to an enchanted forest. Here, she witnesses the machinations of a wicked wizard who casts a spell on the pony. The courageous little girl eventually confronts the wizard and conquers the forces of evil that had been unleashed centuries before! Sure to delight young imaginations, The Long Enchantment is a spellbinding animated fairy tale, where "once upon a time" ends "happily ever after."

The Long Enchantment

7.0 1993
Le Seuil

A touching reflection on leaving home, this animation film is an impressionistic look at a son's departure from his mother's house. He hesitates in front of the chest of drawers and his old toy box. Objects turn back the clock, reminding him of childhood, his father's departure, adolescence... His mother also remembers while watching him through a half-open door. Will he succeed in wrenching himself away and crossing the threshold into a new life? An animation film made up of subtle touches that evoke emotion. A sigh, hesitant footsteps, a tinkling of piano notes, a tremor.

Le Seuil

NR 1998
The Lighthouse

A highly evocative fable of the flaws of human ambition. It starts with a stormy debate between a man and his conscience. Torn between a rational approach and his desire to go his own way, he finally sets out on a initiatory journey that will end on a desert island. To see into the distance, he builds a lighthouse that will become his ivory tower, while the sea around him becomes the repository of his fantasies of wealth, love and glory. The Lighthouse is a visual feast. A wealth of technical and artistic inventiveness enriches the storyline. An animated film without words.

The Lighthouse

7.0 1997
Our Self-portrait

Rethinking the meaning of the 50th anniversary of liberation. Designed and produced for the purpose of viewing, the entire work is an omnibus animation composed of five independent paragraphs such as 'painting', 'dream', 'wall', and 'road'. Creators of yesterday, today, and tomorrow in our history It is a work that focuses on visualizing the diverse perspectives and creative and free imagination of Each paragraph tells a story about the invasion of imperialism, the suppression from history, the confrontation of ideologies, the walls of modern civilization, and the conflicts of capital with a unique technique.

Our Self-portrait

NR 1995
Masks

The story starts with the birth of a baby, who starts crying as soon as he sees his father "in disguise." The infant is already expressing his desire for authenticity. By the age of three, he instinctively rejects conventions. He is taken to a psychiatrist, who finds him perfectly normal. When he starts school, he is offered another mask. Once again, he rejects it, and once again, he is led off to the psychiatrist. As a teenager he discovers his father's disguises and fills them with helium. As an adult, his creative attitude towards his work arouses the envy of his colleagues. At one of his last visits to the psychiatrist, he sees a young woman who seems to be experiencing the same problems he is. It's love at first sight. From their union is born a child who starts to cry as soon as he sees his father wearing a motorcycle helmet. The father quickly removes his "mask..."

Masks

7.0 1997