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You Can't Outrun Yourself

An experimental avant-garde film where the character battles with herself, struggling to understand and embrace her true identity. Blending dream-like and reality sequences together, the film connotes inside the character’s mind. Escaping to different parts of her subconscious, she is met with confrontation, fear & desire. This piece of work highlights themes of identity, surrealism & subjectivity, where the instability of the self is at the forefront of the film. The film uses elements of mixed media montage to portray the character’s inner thoughts.

You Can't Outrun Yourself

NR 2025
Figure 1

'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.

Figure 1

NR 2021
Gouti’s Great Journey

A dream island is home to a family of small rodents, the Agoutis. Untouched by humans, the community of beings are organized harmoniously along the cycle of seasons. Gouti, the eldest of the siblings, is learning about life next to his experienced grandpa. But Gouti is absent-minded. He keeps dreaming of travels, of places beyond. When an exceptional winter storm hits and devastates their island, Gouti and his family are forced to leave. A journey leading to discover other worlds, other species, and above all to self-discovery.

Gouti’s Great Journey

NR 2024
Biogenesis

Biogenesis shows the evolution of artificial life forms in a synthetic universe where 'survival of the fittest' is replaced by 'survival of the most aesthetic'. We see cellular evolution and the replication of mutations forming chain-like structures resembling coral. The artist is like a gardener, breeding, selecting, marrying and steering the course of evolution for creative ends. The film is a record of this evolutionary process. It can be viewed as a psychedelic experience or a more subtle parody of a man's relationship with the natural world through modern technology.

Biogenesis

NR 1993