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The Zone

In times of conflict, a companion can be the final thread linking one to human connection. In Call of Duty: Warzone, communication is fractured, making it even harder to truly know those you play with. Dialogue is just a series of terse exchanges of orders and instructions; everything revolves around the game, everything is subsumed by war. Forming a meaningful connection with an anonymous player seems nearly impossible. In The Zone, the protagonists confront this challenge, pushing beyond the fleeting interactions dictated by random matchmaking. They seek to reclaim their humanity, engaging with pressing themes — religion, terrorism, and representation — subtly embedded in the game’s mechanics and geography.

The Zone

10.0 2025
Fancy Matches

To the rhythm of a frenzied choreography, acrobatic matches come to life on a black background. Leaving their matchbox, they line the film in circular, concentric movements. In an almost aquatic momentum, the squadron of little bits of wood mould the contours of a character, a run-of-the-mill smoker, before transforming into a funny harness. The film ends when the matches, again transformed, take on the appearance of a distinguished man who, after several attempts, finally finds a way of lighting his cigarette.

Fancy Matches

6.8 1914
Pipì Pupù e Rosmarina in Opera Collection

Pipì, Pupù and Rosmarina, flanked by new and funny characters, travel through the world of opera to tell children about its repertoire. Three short animated films in which the three little friends entertain the audience by developing their vision of the story and singing the famous arias of three classical music masterpieces: "Don Quichotte" by Jules Massenet, "Lo schiaccianoci" by Pëtr Il'ič Čajkovskij and "L'italiana in Algeri" by Gioachino Rossini.

Pipì Pupù e Rosmarina in Opera Collection

NR 2015
Song of the Flies

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

Song of the Flies

NR 2021
'GIVE IT UP!'

Loosely based on Franz Kafka’s short story, 'GIVE IT UP!' is a live-action animation odyssey through the confusion of life in the modern world. The narrative follows a lone salesman trapped in a timeless city, increasingly lost in his feverish dreams. Desperate, he races towards a train station as his last hope of escaping the city, encountering divine light, winding roads and the forces of bureaucracy. This deeply personal and referential work preserves Kafka’s absurd humour and pays homage to Weimar cinema of the 1920s, but also elevates the text to an existential meditation on authority, purpose and human helplessness.

'GIVE IT UP!'

10.0 2025
Of All the Things

Ava remembers her childhood home as a place full of amazing things and adventures. The day she returns home from university, however, everything changes: what used to be a treasure chest has become an oppressive box, and her mother’s things and fear of letting go overwhelm their home and their relationship. By dipping into memories and sharing a moment in time, can mother and daughter reach an understanding? 'Of All The Things' is a narrative short inspired by lived experience with the aim of developing a compassionate dialogue around hoarding. This is a story about connection, not just a condition. The film was made with the support of the hoarding community to ensure authenticity, it is designed to visualise the unseen emotional impact hoarding behaviours can have on the relationship between family members. Produced by Kino Bino with funding from the BFI NETWORK and crowdfunding.

Of All the Things

NR 2025