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My Child, My Land

A shocking film about antipersonnel land mines and a barbarous complacency. Every year hundreds of men, women and children are wounded or killed by antipersonnel land mines. My Child, My Land denounces the use of this hideous weapon. It particularly denounces the complicity of the industrialized nations. If such a horror exists, it is because someone has invented it, and someone else has manufactured it. Can we imagine such barbarity behind the faces of our neighbour? our father? ourselves? This hard-hitting animation film demands that we ask ourselves these questions.

My Child, My Land

7.0 1998
Animastress

Picture thousands of hens stacked layer upon layer, aisle after aisle, endlessly producing. Like an assembly line. Their food, water and supplements are delivered mechanically, their eggs gathered by conveyor belt. With no instinct left in this sterile environment, the poor stressed-out birds are led through their paces by an inspirational video of a model hen. Then, one day, a technologist accidentally slips in the wrong cassette and the monitor shows a good mother hen surrounded by her happy brood. Realizing they have been duped and exploited, the whole hen house rises up in revolt. But it's not that easy to escape the system, and soon the hens end up served to customers in a fast-food restaurant. When food is manufactured with the sole goal of maximizing profits, how does it affect those who consume it? This animated short contains a surprising answer. An animated film without words.

Animastress

7.0 1994
The Bats

A bat tells his story. He lives near a Mayan temple in a cave with bats of nine different pitches. His mother cares for him, teaching him to echo for worms. But all is not idyllic: his brother dies learning to fly; not everyone gets along (babies can be attacked by bats of other pitches). After three years, his sexual urge materializes, and he mates with many females. God speaks to him from time to time, giving solace and advice. Drinking water, finding worms, and enjoying sex bring happiness. But extinction may loom for his species, and regardless of his wish to live forever, death does await.

The Bats

7.5 1999
Weighing... and Wanting

Drawing, literally, from the story of Daniel and Belshazzar, William Kentridge's film Weighing… and Wanting re-examines the legacy of Belshazzar's message in post-apartheid South Africa. While the political climate shared by Belshazzar's kingdom and apartheid-era South Africa is striking – in both, a ruling civilization relegates whole populations to subhuman status – Kentridge sets the scene of his film after the South African rule of oppression has been replaced by the ascent of the African National Congress. Left in the frame of apartheid's collapse is Kentridge's charcoal creation, Soho Eckstein, a former apartheid profiteer and businessman, contemplating the works of his own hand in the dissolution of love and in the building of industry.

Weighing... and Wanting

NR 1998
Song of the Sea

Silke just loves water. She loves to bathe and to swim like a fish. As a matter of fact, she only feels fit and well when she is in the water. This is because she has an eczema which makes her skin itch. Her father and mother are worried about her and take her to the doctor. But strange things happen, and a dolphin, a dog and an old, long ago deceased pirate-grandfather emerges in the story. This is because Silk is not like other children - especially not when she hears the song from the sea.

Song of the Sea

NR 1993
The Divine Iliad

Created especially for the United Nations Conference on Environment and Development in Rio de Janeiro in 1992, "La Divina Iliade" emerges as a unique artistic work that combines visual sensitivity with musicality. The video presents a collection of paintings created by a young 22-year-old Venezuelan artist, whose illustrations capture the essence of the cosmic balance of sexual energies and the search for the "I AM". With the soundtrack by Brunello de Napoli, the work transforms into an immersive experience that invites the viewer to reflect on the invisible forces that shape the universe. The simplicity of the images, combined with the depth of the music, creates a silent dialogue that transcends words, inviting the audience to an introspective and spiritual journey.

The Divine Iliad

NR 1992