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III

A man and a woman meet in a waiting room and immediately get close to each other. They commence a game that gradually gets more and more ferocious. Their faces resemble masks while shapes slowly lose their integrity. Bodies are formed like clay, embracing each other up to the limits of impossibility. III is a portrait of a woman in an exhausting relationship with a man, which allures and repulses at the same time. The film is the third part of the triptych Impossible Figures and other stories.

III

7.2 2018
Zero Escape: Virtue's Last Reward Special OVA

With his last memory being that of his kidnapping, college student Sigma awakens to find himself trapped in a facility with eight strangers. The captives are soon informed that if they want to escape, they must play the "Nonary Game"—a complex contest of trust and betrayal, where deciding whom to believe in is the difference between life and death. To make matters worse, any initial trust between the players is tainted when they realize that the mastermind behind their predicament may be one of them...

Zero Escape: Virtue's Last Reward Special OVA

NR 2011
FU377

Basic dignity of queer people in India is under attack, yet again. The scorching IPC Section 377 is re-unleashed to police to criminalise “gay sex” in India. While the law and the Supreme Court dated themselves back a few hundred years, an adorable Indian mother has her knowledge of “gay sex” in mint condition, wheeling out a tidbit or two for her heartbroken queer daughter in an effort to cheer her up. The pair are shocked into action by the Supreme Court's latest rejection.

FU377

NR 2014
Mamori

Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.

Mamori

4.8 2010