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A Cat Is A Cat

Are you a dog or a cat person? If you favour the felines then this animated meditation on cats of all shapes and sizes is for you. The film grew out of industry veteran Vera Linnecar's play with applying mottled coloured paints directly onto animation cels. Paired with the piano music these scenes are a playful experiment, mixing abstraction with careful observation of cat behaviour. Vera started her animation career at the Halas & Batchelor studio in 1940, as did Elizabeth Horn, who also worked on this film. Moving from tracing, to inbetweening, to animating, Vera became one the company's principle artists. In the late 1940s she moved to the Larkins studio which better suited her experimental spirit. In 1957, along with Nancy Hanna, she joined Bob Godfrey and Keith Learner at Biographic, and continued innovating there until she retired in 1983, after four decades in the business.

A Cat Is A Cat

7.0 1971
Tractor Ted Feathered Friends

Where do eggs come from? Do you know? Chickens!!! Tractor Ted is off to the farm to see them with his friends Farmer Tom and Midge the dog. Sing along as Farmer Tom fills up the hopper with food for the chickens and watch with Tractor Ted as the farmer checks the engine on the huge tractor with caterpillar tracks. Tractor Ted has fun spinning around in the field with it too! At the end of the day Tractor Ted and Midge tell the children all about it and see the eggs that they have been busy painting.

Tractor Ted Feathered Friends

NR 2025
Outsourcing (My Desires to Avatars)

"Outsourcing (My Desires to Avatars)" is a machinima and experimental video created by video artist Jamie Janković and writer, poet and director Deborah Findlater. The work is part of an ongoing project addressing the intersectionality of responses to female characters in video games; formally speaking, the work is presented as an audio-visual poem, accompanied by voice over. According to Janković, this work is meant as a response to found footage material of the character Christie from the popular fighting game series "Dead or Alive" (1996 – ongoing). Moreover, the examination of the role of female characters in "Outsourcing (My Desires to Avatars)" is part of a larger project titled "The identity quest series," in which the artist addresses a multiplicity of responses to female video game characters, following engagement in interviews with queer people within the gaming industry and exploring their own views on gender in game design.

Outsourcing (My Desires to Avatars)

6.2 2021
Small Things Moving in Unison

Perforations made directly into 16mm black leader attempt what Sitney describes in relation to Breer’s 70 as ‘five-frame holds’, whereby methods used to control the movement of onscreen forms have the effect of retarding motion. Small Things confronts the purely plastic problems that persist in the manually made film, of registering marks in the same place over a series of frames. At the same time it does not discourage the interpretation of these forms as a gathering, not so much of particles, but rather of a swarm or a murmuration.

Small Things Moving in Unison

NR 2018
Night Song

"Night Song" is a wall-based installation that includes a video collage incorporating stop motion animation and hand painted video stills. It explores ideas behind the theme of insomnia. Filmed after dark, the multiple layering of images and sound draws the viewer into the unsettling emotional world of the insomniac. The soundtrack is made from recordings of a beautiful dawn chorus that has been slowed down and reversed to create a wakeful nightmarish lullaby. The hand painted video stills create a further dimension, taking the painterly process in the film making off the screen, back on to paper and reworked using oil paint.

Night Song

NR 2020
The Radical

This beautiful short, commissioned by UCLan’s Creative Innovation Zone, is an intricate hand-drawn journey through the life of a local activist, George Dewhurst. An ordinary working man from Blackburn, George was charged with High Treason, shortly after The Peterloo Massacre in August 1819, for speaking at a gathering of workers in Burnley. Narrated by one of George's descendants, 8-year-old Monty Speed, this beautiful animated montage depicts events in George's life in the year 1819, following a quest by descendants to uncover his grave and raise awareness of his story.

The Radical

NR 2019