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Toc Toc Toc

After meeting the Scottish/Canadian animator Norman Mc Laren at a documentary and animation film festival in Cordoba in 1962, Bras experimented with the technique of "direct scratching on film" by synchronising the image with music and noises. In "TOC TOC TOC TOC" Bras recorded on the optical soundtrack of 16mm film the sound of a pencil tapping against a table. Then, seeing the drawing of the optical sound, he invented graphics that he scratched with the pick of an old phonograph on the veiled film.

Toc Toc Toc

7.5 1965
Eyetoon

"The sea, tranquil and violent, is the ultimate symbol for Jerry Abrams' EYETOON and the ultimate equivalent to making love -- his concern in this short and visually dazzling film. Abrams contrasts the rushing faces of New York and a highway juggernaut with the peaceful joining of bodies in a Gjon Mili-like stroboscopic sequence -- always with a burbling, flashing maelstrom of emotions underlying and double-exposing with the bodies. It is visually lovely, technically first-rate and impossible to ignore. The graphic sex is economically handled." -- John L. Wasserman, San Francisco Chronicle

Eyetoon

7.0 1968
Abstract animations from the 1960s - Part I

Pilař made the two surviving reels of animation experiments after his return from the 1963 Paris Biennale. The gestural brush painting over the surface of the originally black and white puppet film which he almost completely removed from the stock falls at the beginning of his programme works of expressive collage and assemblage. He returned to it repeatedly, as he did to the material he later reworked for Pink Floyd (ca. 1984) and Colours 1965 (ca. 1991).

Abstract animations from the 1960s - Part I

NR 1963