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Outsourcing (My Desires to Avatars)

"Outsourcing (My Desires to Avatars)" is a machinima and experimental video created by video artist Jamie Janković and writer, poet and director Deborah Findlater. The work is part of an ongoing project addressing the intersectionality of responses to female characters in video games; formally speaking, the work is presented as an audio-visual poem, accompanied by voice over. According to Janković, this work is meant as a response to found footage material of the character Christie from the popular fighting game series "Dead or Alive" (1996 – ongoing). Moreover, the examination of the role of female characters in "Outsourcing (My Desires to Avatars)" is part of a larger project titled "The identity quest series," in which the artist addresses a multiplicity of responses to female video game characters, following engagement in interviews with queer people within the gaming industry and exploring their own views on gender in game design.

Outsourcing (My Desires to Avatars)

6.2 2021
Through the Rift

The relationship between the information we retain and its imagery we mentally re-envision and reassemble, helps us conceptualize imperceptible events such as the slow moving catastrophe of climate change. Recalling Robert Jay Lifton's concept of fragmentary awareness, we form surreal sequences from these visual thoughts in order to create our own narratives of the real events that are difficult to comprehend. In this video, natural imagery unfolds into a surreal cycle of destruction, death, and rebirth. The fragmented footage, taken from three coastlines in the United States, is edited into new forms - accentuating nature's close interplay with itself and us. The soundtrack, taken from the ambient sound of the source footage, is manipulated and layered with synth drones - reinforcing the intense and uncanny relationship between memory and reality.

Through the Rift

NR 2021
Postcard from a Nonexisting City

Experimental work that explores the Soviet imaginary and its relation to the future. The work features a virtual rendering of an architectural landscape that contrasts physical and temporal scales and stamps function as graphic messengers of a political and cultural transition. Constructed between the frameworks of speculative architecture, philately and the politics of time, "Postcard From a Nonexisting City" is a work that reflects on temporal arrangements and geopolitical effects produced by space communication technologies.

Postcard from a Nonexisting City

NR 2021
Line 0

In recent years, Japanese office workers put forward a new word “social animal” for self mockery. Because they feel like animals at work, they are just being used as tools, repeating things that are not important day after day without a soul. This is a thought-provoking thing. Why do we get emptiness and pressure from our hard work? “Line 0” is an attempt to simulate human beings as various tools in life in the form of real person posing. It shows a very regular and boring way of work, just like an industrial production line, which leads a repetitive and monotonous life every day, that just leaves this sense of emptiness.

Line 0

NR 2021
Letters to Burn

A firekeeper's role is the bridge between the living and the dead. A traditionally animated film set in 1980s Singapore, this story follows the firekeeper's day-to-day job in stamping letters to be sent by locals to their loved ones by burning it in a special fire. It then focuses on his interaction with a sullen, young boy who visits every evening. When the boy misses a chance to send a letter, a confrontation ensues, resulting in a bittersweet discovery of the boy's yearning wish.

Letters to Burn

NR 2021