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The Letter

A collaborative piece by Gore and Beckett, the film begins with one of Gore's characters composing a letter, to eventual mail it. Beckett's animation takes over at this point, transforming the envelope into a looping, cascading form that seems to be perpetually turning itself inside out. A brief Gore finale bookends the piece, which is one of only two extant examples of Gore's unique animation work. This film is usually appended to Gore's own Dream of the Sphinx. [Source: Mark Toscano] Preserved by the Academy Film Archive in partnership with CalArts in 2009.

The Letter

NR 1970
The Little Balloon

The rabbit becomes a friend with a pink balloon. An evil hunter appears who wants to shoot the rabbit. The balloon lifts the rabbit into the sky. They reach a planet that looks like a cabbage. The rabbit is hungry. It's eating up the planet. They return to earth. There's a hunter waiting for them. He raises his gun, but the balloon hides his friend. The bullet breaks the balloon to pieces. The resin drips from the pine like a tear. With it, the rabbit sticks his faithful friend.

The Little Balloon

9.0 1976
Sections for Screen, Performers and Audience

“I was always fascinated by music scores and often imagined how concerts might be changed if performers were not hidden behind music on stands. In the 1960’s, I made several films that used oscilloscope imagery and, in doing so, learned to ‘play’ various synthesizers to generate images. For this film, I used colored gels while filming and chose to optically print a few visual phrases, allowing for repeated sections. I also super-imposed hi-contrast notation over the film. So, Sections became a kind of feedback piece: sound generated the images for the score and performers created new sounds and a new piece from these images.” (Richard Lerman)

Sections for Screen, Performers and Audience

NR 1974