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Even Pricks

Even Pricks is sort of an homage to the repeating loss and gain of an erection—metaphorical or not—as mediated through all the stimuli we humans sort through and judge and despair of throughout the course of any quotidian day. The erection here is the (now nearly as familiar) thumbs up/thumbs down—sliding in and out of frame as a pale, disembodied man’s arm. It pokes up into a floating eye and nostril, and down into a human navel. It’s doused with fluids and submerged. The thumb inflates and deflates, over various backdrops of crumbling structures and hazy rooms. At one point, a very real-looking chimp delivers a string of spoken words in a crisp English accent. His assertive thumbs-up makes an appearance as well. The artist is interested in the potential to express emotion through cold and flawless digital means and plays with the convention of aggressive advertising slogans and film trailers, urging the viewer to “this summer destroy their lives.

Even Pricks

NR 2013
Washi MM

A video documentation of a live performance at LUX in London, 2017. In 2003, I saw Drawings for Expanding Permutation (1969) by the UK artist Mary Martin at a gallery in London. Paul Martin, Mary Martin’s son, kindly gave me a book with pictures of her drawings that I constantly refer to for my Washi Series. This is a set of films and performances, made in response to Martin’s work, that uses the patterned colors of adhesive Japanese washi tape applied directly to clear 16mm film. These patterns are also responsible for the optical soundtracks of the films. In Washi MM three 16mm projectors are used as live instruments of performance to explore rhythmic patterns of color and sound created by the overlays of washi tape.

Washi MM

NR 2017
ESC

An office-worker rabbit lives every day trapped in his monotonous work cycle, reliving the same moments over and over. One day on a smoke break he encounters a wild rabbit and this shifts his life forever, haunting him with constant visions, long after. Whilst trying to keep up with the ceaseless demands and endless paperwork of the office, he finds himself falling further and further into turmoil, trying to navigate disorientating hallucinations whilst staying afloat under the pressure to keep up with the pulsing corporate lifestyle. As the visions occur more and more frequently and the workload never seems to get any less, his stress reaches a crux and he finds himself snatched from reality and transported into a surreal, hallucinatory world where he finally must confront the wild rabbit.

ESC

NR 2025
Some Protection

Made as one of a four part series exploring different aspects of women and the law, on which all the women animators involved researched and worked as a group, before then making individual films, each quite different in content, tone and style. Based on the real life experiences of Josie O Dwyer, the film uses her voice as commentary, taken from hours of taped conversation with the filmmaker. Different styles of drawing convey her emotions and the devastating effects detention and imprisonment have on young girls put away 'for their own protection'.

Some Protection

NR 1987
Diffrerent

'Diffrerent' is an animation that explores neurodiversity learning disabilities such as dyslexia. The film follows an ant’s journey, as it breaks from its chain-like system, as a metaphor for those who are unable to fit in. There’s always been this feeling of without Dyslexia who would I be? As it’s such a large part of me as a person and in everyday life. This film explores this area of my life by looking back at a childhood hobby, the collection of insects, and the problems I experienced when I was younger and still as an adult today. Some days I can wake up and not be able to remember my full address and other days I can. However the previous hobby and study of insects always remained. I’ve always felt out of place, out of the normal system, and in time while having this feeling I’ve found other ways of coping. The film aims to be more of an understanding of the past and present that can give back a positive attitude to dyslexia within society.

Diffrerent

NR 2017
E3

E3 (∞, E = eternity, 3 = 3 month) is the first work trying to capture my drawing and painting style into a moving picture. It captures the beginning, with all its enthusiasm, energy and more or less sub-conscious hope that things develop differently in a new space. Followed by the phase were everything slows down to finally result in a complete breakdown into everyday life. This cycle happens over and over again, in all scales, in all relations … sometimes it can be a cozy, pleasant state … while other times it seems like Don Quixote, fighting against windmills …

E3

NR 2002