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Two Children Are Threatened by a Nightingale

An animated film based on the painting about Max Ernst of the same title, he said that a “fevervision” he had experienced when he was sick with measles as a child inspired him to compose the haunting scene that unfolds in Two Children Are Threatened by a Nightingale. Merging collage and painting, he affixed a wooden gate, parts of a toy house, and a knob to a dreamlike painted landscape. A blue sky dominates the composition, and in it a small nightingale hovers above two young girls. The painting features what would come to be identified as the defining preoccupations of Surrealism, a movement in which Ernst was a central figure: dreams and the unconscious; sexuality (as represented, for example, by the girl’s phallic knife); and incongruous juxtapositions.

Two Children Are Threatened by a Nightingale

NR 2021
The Idea

As part of our long-running short films initiative, we pitched the question to our team "Can you visualise the frustrations of the creative process?" So we organised some brainstorming sessions on the problems with brainstorming sessions, had committee meetings on the pains of design by committee, and bounced ideas around about how we bounce ideas around. Embracing a minimal design language to focus on the characterisation, we created a short film which is a montage of relatable scenarios for the creative professional.

The Idea

NR 2019
The Gigantic Beard That Was Evil

On the perfectly tidy island of “Here”, no one questions the blackness that surrounds them. But when humble map-maker, Dave, makes a shocking discovery, his attempt to raise the alarm is ignored. His curiosity stifled, Dave’s body rebels, and he sprouts a wild beard with a life of its own. With the unstoppable beard threatening to swamp the entire island, the residents mobilise in an effort to tame it. Chaos ensues, standards slip, but a new curiosity starts to take hold. As the blinkered corporation that runs the island desperately battles to regain control, Dave realises the beard is a force for good and works with it to open people’s minds and free Here from the tyranny of conformity.

The Gigantic Beard That Was Evil

NR N/A
The Body is a Gesture

An AI computer-vision system reconstructs footage of humanity in different contexts - business, love, city, joy, protest. The next-frame-prediction technology is trying to predict the future based on just a couple of seconds from each clip, producing surprisingly hallucinatory video outputs, engaging with surrealist and expressionist painting tradition. The AI-produced material is arranged by the human artist in a narrative reflecting on the tenderness of the human body, the implications of AI interacting with it, and the politics of its usage. We are a viral breath, one embodiment, connected to each other physically, socially and psychologically. Now it's becoming mediated by machines, controlled by corporations and governments. The work explores senses of touch and body as seen by algorithmic processes.

The Body is a Gesture

NR 2021
Monster Class: Werewolf Vs The Lochness Monster

Join Monster Class teacher extraordinaire Count Dracula as he goes batty for cryptozoology, the amazing science behind the study of monsters! What? Go on! In the world of cryptids - that's a fancy word for monsters - two mythical beasts stand head and shoulders above the rest... You've no doubt heard their names... Seen the evidence and wondered to yourself, could such fantastical beasts actually exist? What if they did? Leave it to professor Dracula to line up the facts and take you on the cryptozoology adventure of the century - Werewolf Vs The Lochness Monster! We have a lot to discover about these two legends before the sun comes up, so let's get haunting in Monster Class: Werewolf Vs The Lochness Monster!

Monster Class: Werewolf Vs The Lochness Monster

5.0 N/A
All for Claire

Lee is a young man determined to win the heart of Claire, a young woman determined to make life difficult for him. Dancing playfully on her crutches, Claire frustrates Lee’s romantic advances, transporting him away to daunting environments where he’ll need to think on his feet if he’s to win her affections. Director Simon McKeown worked with actor Lee Soar and choreographer Claire Cunningham to create this colourful motion-capture animation which was first broadcast on BBC Big Screens across Britain in 2010. Mckeown explores themes of power, control and rejection in the work and originally created two versions with different endings for festival audiences to choose from – ‘win’ or ‘lose’?

All for Claire

NR 2011