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The Games of Angels

Animated short. Abstract forms in a setting evocative of a concentration camp created by the universe. Based on a series of paintings by the Polish artists and filmmaker Walerian Borowczyk, Les Jeux des Anges takes the viewer into a nightmarish and sinister labyrinth world. With images reminiscent of Bosch and Ernst and an abstract soundtrack the film evoke unspeakable horrors lurking at the heart Borowczyk's masterpiece. Borowczyk described the film himself as "A report on the city of angels."

The Games of Angels

5.5 1967
Deadly Tantrum

Geoffrey, the mutant simpleton is indulging in his dual hobbies of DIY and homicide, having kidnapped another hapless victim and tied her to one of his over-elaborate, death-inducing contraptions. But this time he didn't count on being interrupted by a rather over zealous cop who's willing to do just about anything, no matter how dangerous (or stupid), to save the damsel in distress. Will our hero save the girl before Geoffrey's home made death machine goes off or will Geoffrey add another victim to his ever growing list - and just how can our hero make Geoffrey stay dead? Featuring ridiculous stunts and gruesome special effects, Deadly Tantrum is a five minute frenzy of over the top action and full on horror comedy

Deadly Tantrum

6.0 2006
Emmi & Unipig

On her tenth birthday, Emmi wishes for a unicorn as her magic mate. However, she gets Unipig – a small pink pet pig with a golden horn and nothing else in common with a unicorn. In fear of her school mates, Emmi disguises her new magic mate as a baby unicorn and passes it off as such. However, she learns to embrace her unconventional companion, who teaches her about loyalty, self-confidence, and true friendship. But Unipig wants to be a Unipig – and not a unicorn. So, Emmi has to make a decision…

Emmi & Unipig

NR N/A
Spiritual Constructions

One of Oskar Fischinger's earliest films, Seelische Konstruktionen (as it is known in German), clearly points the way to the masterpieces of musically-blended experimental animation he would conceive in the decades to come. The sense of masterful timing and rhythm, the easy and natural -- though patently Fischinger-esque -- character traits of the subjects, and the smooth precision of both line and movement are all present already. Unique is the black-silhouetted, semi-cartoon characters (not nearly as rigidly self-contained as Lotte Reiniger's cut-out forms) which seem to adhere to no physical limitations whatsoever. Morphing into shapes, structures, objects, patterns, and even one another, as though they were made of pure mercury and set to music. As for the "story", it's rather non-sensical, and certainly silly, but also has a slightly dark and devious tinge to it as well; men becoming monsters, uncontrollable shape-shifting and the constant, almost desperate movement.

Spiritual Constructions

6.8 1927