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A Fairytale Sits On The Doorstep

A wistful little “story-spirit” rides the wind to a child’s doorstep and invites her on a whistle-stop tour through the Latvian seasons. Guided by a gentle water sprite, they drift from spring showers and blue-flower meadows to roaring Midsummer bonfires, stormy autumn seas, and snow-bright winter nights. The imagery—pastel cut-out shapes that melt and reform—visualises verses by the poet Aspazija, while Zigmars Liepiņš’s folk-inflected score (sung by Mirdza Zīvere) turns the whole trip into a lullaby on loop: every tale enchants for a moment, then must move on to the next open doorway. In the end the child waves goodbye, knowing the fairy-tale will return whenever imagination cracks the door again.

A Fairytale Sits On The Doorstep

6.0 1987
David & Goliath

The first Biblical film produced in Korea tells the story of Saul, chosen by God to be King of Israel and expand the territory of the kingdom. However Saul attempts to deceive God and serve his own interests. Disappointed by Saul, Samuel receives revelation from God to visit Jesse, whose offspring would become the king of Israel. Samuel chooses young David to replace Saul. David had been the musician in Saul's court. During an invasion by the neighboring Philistines bent on destroying Israel, David decides to confront and battle the Philistine soldier known as Goliath, a physical giant whom every other Israelite feared.

David & Goliath

5.0 1983
Pencil Test

A pencil tool escapes from the Macintosh interface when no one can see it, as it wants to take a closer look to a wooden pencil on a desk. Afterwards, it attempts to get back onto the screen but the computer has been turned off by an unseen human presence. The pencil tool finally manages to turn on the computer but when it tries to return to the software programme is no longer possible and ends up smacking onto the screen. After the credits, you can hear a sound of the screen shattering.

Pencil Test

7.0 1988
Songs and Dances of the Inanimate World: The Subway

In this animation film without words, filmmaker Pierre Hébert and musicians Robert Lepage and René Lussier worked together, and separately, in their respective media. This cinema/music performance recreates, impressionistically, the dehumanizing environment of the urban subway. Drawings etch the outlines of people hurtling through space in underground tunnels. The sound track, elemental and atonal, gives compelling expression to their alienation.

Songs and Dances of the Inanimate World: The Subway

8.5 1984