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4 Fragments

Four sequences digitally photographed and animated by Adam Beckett's biographer, Pamela Turner, in 2009 from Beckett's original drawings. These untitled images may have been intended for use in Life in the Atom. Also included, Every Other, is a unique version of an animated "exquisite corpse" and is a delightful study of two artists' drawings; Beckett and Kathy Rose took turns contributing segments to a sequence, each animating 24 frames, passing their final image to the other to continue. These 336 frames were discovered amongst Beckett's many drawings and were digitally recorded by Turner.

4 Fragments

NR 1969
Poem Field No. 1

"Words pulsate, then bleed into abstraction. Fields of color fragment into pixels or smear into mutating organisms. Swarming text grids explode into chaotic rainbow clouds, blinking dots, stars, and spirals. Snaking orange lines and pointillist textures form strobing mandalas, mosaic embroidery, and Pac Man architecture, tumbling geometries of throbbing color that dissolve into blue, pink, yellow, and green pixel noise." - Leo Goldsmith, writing about VanDerBeek's Poemfield series

Poem Field No. 1

NR 1967
Canada Is My Piano

This triple screen animated short was one of the films screened at the revolving theatre in the Canadian Pavilion at Expo 67. This was later shown at the Odeon Theatre, Leicester Square in London. The theatre's projectors had to be unbolted from the floor and moved to properly screen the film. The Canadian Pavilion at HemisFair '68, in San Antonio, Texas, also featured this film. It presents Canada’s English, Scottish and French colonial settler heritages, but notably excludes any Indigenous participation in the formation of the nation. Each identity is enacted through an upright piano engaged in a discordant, dueling piano cacophony.

Canada Is My Piano

NR 1967