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Flower Storm

Sadeghi’s second film made in 1972, advances his style by accentuating on modern usage of Persian miniatures. The story gets along with the hippism ambience of 1970’s about peace. Flower Storm tells of the inhabitants of two towns who lives in peace and harmony until their kings start to fight over a bird they both have shot down while hunt-ing. War breaks out but children of the town during the night, substitute flowers for the cannon balls. The next day, there exists not a battle but flower storm.

Flower Storm

NR 1972
Raggedy Ann and Raggedy Andy in the Pumpkin Who Couldn't Smile

Aunt Agatha threatens to call the police on innocent trick-or-treaters. Her nephew, Ralph, would love to be out with them. But what he wants most of all is a pumpkin. From across the street, Raggedy Ann and Andy watch the drama unfold. Andy is furious at Agatha for preventing the boy from enjoying the wonderful, horrible holiday. Ann, with her irritating insistence on fairness, decides that Agatha has merely forgotten what it's like to be young. The pressing matter ahead is getting Ralph a pumpkin. Andy scoffs at the idea of finding one at this late date. Ann reasons that if there's a little boy who needs a pumpkin, there must be a pumpkin who needs a little boy. She's right. Not far away, a miserable pumpkin is blubbering out pumpkin seed-tears because no one wants him for Halloween.

Raggedy Ann and Raggedy Andy in the Pumpkin Who Couldn't Smile

5.7 1979
Giấc Mơ Bay

A story about a kid wanting to be the god of heavens (so that he could skip classes and play around all day), Flying Dream’s witticism is equally applicable to situations in the world of adults. The second directorial work of Hữu Đức (who had by then appeared in a number of early Vietnamese animation project, often responsible for the art), Flying Dream marked ‘the maturity phase’ of Vietnamese animation in general and doll-based stop-motion works in particular. Flying Dream also bears the spirit of 1970s Eastern European animation through hazy spaces and colours floating freely between reality and a dream-world (created by artist Mai Long), and a score that recalls the best of psychedelic pop music of the time.

Giấc Mơ Bay

NR 1976
Two Space

Two Space systematically explores symmetries used by Islamic artists to create abstract temple decorations. The two dimensional patterns, like the tile patterns of Islamic temples, are generated by performing a set of symmetry operations (translations, rotations, and reflections) upon a basic figure or tile. Two Space consists of twelve such patterns produced using each of nine different animating figures (12 x 9 = 108 total). Rendered in stark black and white, the patterns produce optical illusions of figure-ground reversal and afterimages of color. Gamelan music from the classical tradition of Java adds to the mesmerizing effect.

Two Space

NR 1979
What the Hell's Going On Up There?

A disgruntled Uncle Sam complains that nobody listens to him anymore, and what's more, he doesn't even know what's going on up there. "I thought we were living on the top floor," he mutters. He expedites the ubiquitous Marshall Efron on a fact-finding mission north of the border. Part satire, part serious, this film sets out to package Canada for American consumption, with some of the clichés thrown in. Contrasting with the decidedly lighter side of the film are interviews with well-known Canadians such as Marshall McLuhan, Mordecai Richler, Margaret Atwood, John Kenneth Galbraith, Raoul Duguay, and Pierre Bourgault.

What the Hell's Going On Up There?

8.0 1979