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Datacosm

At the dawn of the Datacosm, data is planted, harvested, transported, stored and processed as data-feed for consumption by the data eaters. The infiltration of the data storage facility by a hacker leads to contamination by a thought virus which alters the Datacosm forever. Set in apuppet theatre, data scientists (as puppeteers) control puppets, objects and analogue data to create the narrative on the stage above. Code scrolls between the ‘real’ world of the puppeteers and the micro dramas enacted by the puppets. The film was derived from an original collaborative version of "Datacosm" which combined artificial intelligence and animation and was presented as a live performance.

Datacosm

NR 2019
Not (a) Part

Conceived in relation to both the rapid decline of flying insects and the high recurrence of animation, Not (a) part is handmade or contact film that works with the subject and/or material of flying insects. Numerous dead bees found on walks were positioned directly onto negative film and contact printed. Occupying approximately 24 frames they run at a rate of one bee per second. The length of the film is determined by how many specimens are found over a specified period of time.

Not (a) Part

NR 2019
Geologics

An exploration of phenomena through the glyphic constitutions of geography. Pictorializing the growths and formations of earthly "bodies" (land, life, technology, language) using humanity's most elemental symbols of communication. A voice, satellite-like in its disembodiment, articulates its stream of consciousness or lack thereof; its monologue meanders and overlaps, leaving viewers space to interpret the visual material of the colorful runic terrain. The ontological map is thus instantiated.

Geologics

NR 2019