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The Beholder

On a city street, a man rants about god, the devil and repentance. Nearby, people sit in a crowded restaurant. Detached from those around them, they eat, mumble and fantasize without any passion or engagement. A waitress apathetic recites the specials. Two men literally pass through each other near the toilets. These people have shelter and food, but they aren't alive. The restaurant almost becomes a security blanket, a place to hide from their crazy, mundane and trapped existence. The mad street preacher is a lone voice of conviction and delusion.

The Beholder

9.0 1983
Einmart

The very first images in the film set unprecedented standards in East German animated film: a Buñuelean eye that fills the entire screen, real-life sequences of fleeing animals and a sound collage running contrary to what is seen on the screen. This also extends to the protagonist of the film, a head on a foot without a body or arms who pads wearily through the depressing surroundings. Upon seeing various figures in the sky, he begins to copy their movements. To his surprise, he himself manages to grow wings and takes to the skies. But his attempt at flight ends in a sobering manner however, as it is revealed that flying creatures are just restricted in their range.

Einmart

7.0 1981
Os Trapalhões no Rabo do Cometa

A journey back in time in the form of a cartoon with characterizations of the Trapalhões, from the time of the Roman Empire to the present day, through the Middle Ages, the Old West and the First World War. They begin the film by doing a stand-up show at the Teatro Scala, in Rio de Janeiro, receiving on stage the designer Mauricio de Sousa. From then on, the story unfolds in a cartoon, in which Os Trapalhões is chased by an evil wizard whose aim is to try to hold Didi's (always unsuccessful) hand to rule the world during the passage of the famous Halley Comet.

Os Trapalhões no Rabo do Cometa

4.9 1986