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Football Freaks

Football crazy, football mad. Don’t watch this off-beat jukebox cartoon expecting any conventional soccer action. Equal parts Disney, Dali and Duchamp, this abstract mix of black and white photos and alternative comix style animation is accompanied by a medley of doo-wop classics and documentary soundbites. The film is certainly an extreme departure for those familiar with the more conventional output of the Halas & Batchelor studio, best known for their feature-length version of George Orwell’s Animal Farm (1954). Paul Vester was one of a number of sixties art school graduates that brought a mix of pop art and illustration influences to the company whilst it was undergoing a brief change in its ownership. As a warning, in keeping with its progressive, adult style there is some brief nudity at the end of the film.

Football Freaks

NR 1971
Kongjwi and Patjwi

Kongjui, who had been living alone with her father, welcomes a stepmother and a stepsister called Patchui into her life. When her father is out, the stepmother and Patchui make her do all the housework and the stepmother believes all of Patchui's lies and beats Kongjui mercilessly. When talks of marriage between Kongjui and the son of a respectable family come out one day, the stepmother does everything in her power to get Patchui married to the young man. Unaware of her stepmother's plans, Kongjui runs into the young man in the woods and the two fall in love.

Kongjwi and Patjwi

NR 1978
El Mito de Inkarri

The Myth of Inkarri is a short film shot on 35mm high-contrast black and white film. Using the traditional stop-motion technique, the 17th-century drawings of chronicler Felipe Guamán Poma de Ayala were reused without alteration to produce the famous myth of Inkarri. The short film narrates and recreates scenes in which the Spanish decapitate Inkarri and take his head to Lima; according to the legend, the head is alive and when it is reunited with the other parts of the body, a new Inca will be formed.

El Mito de Inkarri

NR 1977