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The Design

Animators and urban planners both create worlds, but Czech stop motion specialist Jiří Barta's ingenious paper cut-out short punctures the stifling architecture of communist housing. Skilled hands blueprint an apartment tower standardized specifications. Envelopes contain the elements of each home. Family dwellings, bachelor pads, scholarly studies and artist studios: different social configurations are permitted but restrained to the same uniform box. A dystopian revision of the REAR WINDOW scenario, THE DESIGN's darkly comic social critique still has teeth.

The Design

6.1 1981
Triangle

We are in the Berlin of the Weimar Republic. A glimpse of night life in a cabaret, unrestrained abandonment, escape by jazz. Then suddenly a man carrying a swastika bursts in. And everything changes, a giant hand grabs the beautiful singer - a trav - and drops his wig. Artists, lovers, Jews find themselves in a "salad basket" towards the camps. The camera points to one of them, who is wearing a pink triangle. Animated on dark backgrounds in a style akin to German expressionism, Triangle laments but does not preach, producing a very moving effect in this.

Triangle

3.0 1989
How Did Esther Get on the Table?

A little girl fidgets by the desk at which her father is working. Suddenly she appears on top of the table, where she shrinks to only a few centimetres in size. The scene launches into a series of surrealistic objects of her environment. She is comforted with many situations that could conceivably happen to her in the future, and they prove to be more threatening than reassuring. At the end of film we find Esther restored to her normal self again, sitting on the lap of her father.

How Did Esther Get on the Table?

NR 1986
The Amazing Bunjee Venture

Two 20th century youngsters, Andy and Karen, are accidentally transported back to the year 100,000,000 B.C. by their father's time machine. While dodging dinosaurs, the kids find a loyal friend in the form of Bunjee, a lovable, purple-haired creature who resembles an elephant with suction cups for feet. After escaping danger, Andy and Karen bring Bunjee with them when they return to the present. Alas, Bunjee is hardly ready for modern civilization, and vice versa.

The Amazing Bunjee Venture

7.5 1984
A Fairytale Sits On The Doorstep

A wistful little “story-spirit” rides the wind to a child’s doorstep and invites her on a whistle-stop tour through the Latvian seasons. Guided by a gentle water sprite, they drift from spring showers and blue-flower meadows to roaring Midsummer bonfires, stormy autumn seas, and snow-bright winter nights. The imagery—pastel cut-out shapes that melt and reform—visualises verses by the poet Aspazija, while Zigmars Liepiņš’s folk-inflected score (sung by Mirdza Zīvere) turns the whole trip into a lullaby on loop: every tale enchants for a moment, then must move on to the next open doorway. In the end the child waves goodbye, knowing the fairy-tale will return whenever imagination cracks the door again.

A Fairytale Sits On The Doorstep

6.0 1987
As If

Once on a summer day, decided to play the Hare, the Bear cub and the Squirrel. Traditional forestry games have bothered them, as in the forest everything is so familiar. So they decided to hunt as if they were in the jungle. The Bear said that he would be a hunter, and the Hare is a wild beast. The Squirrel was assigned the role of a dog. But the dog from the squirrel came out some very soft, and in general the imagination of the squirrel is rather weak. She does not like to pretend and fantasize.

As If

NR 1981