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Stamp Fantasia

Along with graphic designer / ad-man Ryohei Yanagihara (柳原良平) and renowned book cover designer Hiroshi Manabe (真鍋博), Kuri formed the Animation Sannin no Kai (Animation Group of Three) in 1960. In doing so the three animators followed the footsteps of the 1950s Sannin no Kai composers (Yasushi Akutagawa, Ikuma Dan & Toshiro Mayuzumi) who banded together to stage performances of their avant-garde style of music. The Animation Group of Three showcased their work at three events: November 1960, December 1962, and April 1963. After 1964 this event expanded into a wider Animation Festival, that annually showcased the experimental fare of such artists as Taku Furukawa, Sadao Tsukioka, Goro Sugimoto, Keiichi Tanaami, and even Osamu Tezuka until 1971. Stamp Fantasy was introduced at the first Animation Group of Three screening on November 26, 1960 in the Sogetsu Art Center.

Stamp Fantasia

5.0 1961
Fine Toys – Made in USA

This short puppet-animated film criticizes American toy companies for their militaristic toys and marketing which fosters politically aggressive attitudes. Catalogues and building sets made by the American toy companies Aurora and Lindberg report on the ways they are misused for imperialist manipulation. The film particularly emphasizes the rehabilitation and propagation of the German imperialist military tradition, which is seen as responsible for destroying humanistic viewpoints and replacing them with perverted and sadistic attitudes towards humanity.

Fine Toys – Made in USA

5.2 1969
A Ferlinghetti Poem

Color UCLA Student Film, Preserved by the UCLA Film and Television Archive. An Animation Workshop film that visualizes the beat poet Lawrence Ferlinghetti's poem "The World is a Beautiful Place" by melding collage and cel animation. Repurposing images from popular magazines, Frew juxtaposes photographs of the Holocaust genocide with the hyper-pop images of American culture, contextualized by the rising anti-Vietnam War and Student Protest movements of the late 1960s.

A Ferlinghetti Poem

NR 1968
Aleph

“Aleph” is an artist’s meditation on life, death, mysticism, politics, and pop culture. In an eight-minute loop of film, Wallace Berman uses Hebrew letters to frame a hypnotic, rapid-fire montage that captures the go-go energy of the 1960s. Aleph includes stills of collages created using a Verifax machine, Eastman Kodak’s precursor to the photocopier. These collages depict a hand-held radio that seems to broadcast or receive popular and esoteric icons. Signs, symbols, and diverse mass-media images (e.g., Flash Gordon, John F. Kennedy, Mick Jagger) flow like a deck of tarot cards, infinitely shuffled in order that the viewer may construct his or her own set of personal interpretations. The transistor radio, the most ubiquitous portable form of mass communication in the 1960s, exemplifies the democratic potential of electronic culture and may serve as a metaphor for Jewish mysticism.

Aleph

6.3 1966