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Sea Trial

Lu Dahai and his shipbuilding team want the 10,000-ton ocean freighter "The East" to be given a sea trial. But the ship is made with domestic parts, and Chen Zongjie, a leader of the Party Committee of the Bureau of Foreign Transport, believes that the quality is not sufficient, and orders that the parts be replaced with imported ones before the sea trial takes place. In the end, the sea trial not only sets a successful new record, but also rescues a Taiwanese fishing boat in distress.

Sea Trial

NR 1976
The Butterfly Ball and the Grasshopper's Feast

A project assembled to musically support William Plomer's (1903-73) book of poems called 'The Butterfly Ball and Grasshoppers Feast'; in which Alan Aldridge had provided the illustrations. British Lion had secured the rights, and commissioned Glover, through Tony Edwards (the Deep Purple manager), to add the musical dimension that it required if it were to be made into a 26-part animated cartoon series, suitable for TV. (Discogs) This is the music video for the song Love Is All, performed by Ronnie James Dio.

The Butterfly Ball and the Grasshopper's Feast

3.0 1974
The Plastic Blaster

The Raven, a villain whose hideout is hidden in a mountain near Good Haven, attacks the city with his "plastic blaster" gun. It seals its victims in plastic. The Mighty Heroes respond. Eventually, the Raven (aided by his flock of villainous birds) gets the upper hand, sealing Tornado Man, Rope Man, Strong Man and Cuckoo Man in plastic. Diaper Man sneaks into the Raven's hideout and in the fight that follows, the other heroes are free. After disposing of the Raven's flock of birds, the villain is about to strike again. However, Diaper Man flings his bottle, jamming the barrel of the plastic blaster. It is now the Raven who's sealed up.

The Plastic Blaster

NR 1975
Memory of the Summer of ’74

Screenplay Written by, Painted and Directed by György Kovásznai Music Compilation and Sound Editor: Péter Bársony Music Performed by Gábor Presser, Levente Szörényi, Zsuzsa Koncz, Kati Kovács, Máté Viktor, the LGT and the Hungária Bands Collaborators: János Czipauer, András Osvát, Miklós Papp, Béla Zsebényi, Katalin Kaim, Klára Kassai, and Frigyes Janotyik A subjective interpretation of the everyday life of the 1970s’ Budapest . It is an intriguing mixture of popular culture (music) and high art (composition of images). Kovásznai is not interested in telling a story; there is no linear narrative, the structure of the film is defined by the movements and transformations of the paintings to the rhythm of the music, generating a fundamentally audiovisual sensory experience.

Memory of the Summer of ’74

7.0 1974