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Howdy Doody and His Magic Hat

A UPA adaptation of the television series (1947-1960) dummy-cowboy, Howdy Doody. Filmed in both 35 and 16mm (for immediate television use in the event theatre exhibitors balked at showcasing a television character,) the plot has Howdy Doody in quest of a magic cowboy hat that will make him invincible. Filled with predominant variations of colors and designs and abstract-color designs as Howdy chases the elusive hat. Finally capturing it, he uses the hat's magical powers to become a rodeo star.

Howdy Doody and His Magic Hat

NR 1954
Minerva Looks Out into the Zodiac

From a central pivotal position, the camera eye (in this case, the hard and inflexible eye of Minerva) looks out upon twelve passing scenes. None of the scenes are necessarily associated with specific signs of the Zodiac. Lawrence Jordan instead assembled twelve of his collages and passed them in review before the deity (who, as he has noted, never revealed her pleasure or displeasure with these images). The filmmaker underscored the mood of each scene with a short passage of music. One might say that theses scenes are not meant to convey particular meanings to a viewer but are intended to represent various entrances or, as the Egyptians called them, hidden or false doors to the siprit world, the world of the dead, the Underworld, the Bardo or, simply, another plan of reality: verities of the soul in Symbolist terms.

Minerva Looks Out into the Zodiac

NR 1959
No Sleep for Percy

Little Roquefort is enjoying the music from a car-radio to the dismay of Percy Puss who is trying to sleep nearby. Percy takes off after Roquefort and manages to imprison him between the car door-frame and the window. The mouse gets free and falls on the car horn which gets stuck and is blaring loudly. Percy tears the car apart and again goes after Roquefort, and the pair wind up in a runaway car and crashes. The cat winds up in bandages and the hospital but is happy as he foresees a noiseless sleep. His dream is shattered by his hospital room-mate, Roquefort, who turns on the table radio.

No Sleep for Percy

9.0 1955
Little Red Hen

The industrious little red hen is always on the move while the other farm animals just lay around and sleep. She finds a grain of wheat, plants it, harvests the wheat crop, shucks the wheat, grinds it, and then bakes a loaf of bread. When the time comes for the bread to be eaten, the farm animals want a share of it, but all they get from the little red hen is a lecture about when there is bread to be baked, don't loaf on the job. This proves just how hard-working the little red hen really is...not many would do that much work just to be able to make a bad pun.

Little Red Hen

10.0 1955
Katnip's Big Day

Katnip is the surprised guest on a "This Is Your Life" type of TV show, "This Was Your Life." Buzzy the Crow; Rueben, Dueben and Louie (three mice); Spike the Cat; and Herman the mouse are guests. Scenes are used from "A Bicep Built For Two," "Cat-Choo," "Mousetro Herman" and "Drinks On The Mouse." Katnip has a chance to recall all the big events of his past. At first, it's a thrill. Then there's smoldering anger as he sees Butch take his true love from him and Herman give him a hard time as well.

Katnip's Big Day

9.0 1959
Dwightiana

Menken's 16mm, stop-motion tribute to the art of Dwight Ripley was filmed in 1959 in his apartment at 416 East Fifty-eighth Street in New York. She used his drawings as flats.The remarkably contemporary soundtrack for steel drum, guitar, flute, and voice was written for the occasion by Maya Deren's young husband, Teiji Ito, and is available in his album Music for Maya (Tzadik). Stan Brakhage called Dwightiana a pioneer example of the film portrait, abstract rather than narrative (the colored pencils represent Ripley's palette). Ripley was also a botanist, and Menken's unusual title alludes to botanical nomenclature as if Dwightiana might be the name of a species as well as a work "about" Dwight.

Dwightiana

NR 1959