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The Happy Cobblers

In a little village in a far-away mythical country lives an old cobble and his dog. The old man can no longer make good shoes and they have fallen upon hard times until, one night, the dog hears noise in the workshop. He finds a band of merry elves making a beautiful pair of shoes. The cobbler believes his dog made them and spreads the news. The King hears about it and orders the cobble to have the dog make 500 pairs of shoes, as the King is as fond of shoes as a former first lady of the Philippines was. The elves come to the rescue, make the shoes, and the shoe-loving King is highly pleased and makes the old cobbler a rich man.

The Happy Cobblers

10.0 1952
Bell Hoppy

Sylvester has been "blackballed" out of membership to the Loyal Order of Alley Cats Mouse and Chowder Club again. To gain the long-coveted membership, the Grand Master offers to let the lisping puddy tat place a big bell around the neck of the largest mouse he can find, so the cats can pounce on the mouse when they hear the bell. Just as that's going on, Hippety Hopper escapes from a city zoo truck. It's not long before he encounters the hapless Sylvester. Each attempt to place the bell around Hippety's neck ends with Sylvester wearing the bell (and the cats pounding the puddy into submission). In the end, Sylvester finally does get the bell around Hippety's neck, but by the time the cats are ready to pounce on the baby kangaroo-mistaken-for-a-giant-mouse, Hippety has been recaptured. The oblivious cats end up jumping in front of the city zoo truck! Sylvester now gets to serve as Loyal Order's Grand Master.

Bell Hoppy

6.8 1954
Oslofilm: Klokkeklang

Santa Claus arrives in front of a small group of four children. The film was a Christmas greeting from the Oslo cinema (Oslo Kinematografer) to their audience, in 1955. It was probably shown as a short film before the main feature at the cinema. Music by the, at the time, pupular band The Monn Keys. **** Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Klokkeklang

NR 1955
Science Friction

This film uses stop motion animation of still photographs to convey images of politics and science in the nuclear era. The advancement of science allows man to do things he never would have been able to do without, for good or bad. Politicians are either behind the scenes manipulating those scientists or are using that science for their own goals, primarily in the space race. Everyday items and people are projected upwards - many in the form of rockets - followed by iconic structures, such as the Empire State Building, the US Capitol, the Washington Monument, the Eiffel Tower and the Kremlin, being rocketed skyward as visual representations of that race into space.

Science Friction

5.8 1959
A Is for Atom

General Electric sponsors this explanation of atomic energy, detailing some of its uses besides the bomb. Using animation and an off-screen narrator, the film describes the atom, elements and isotopes, the discovery of transmutation, experiments in artificial transmutation, and the reasons for the power of nuclear fission. The film argues that now, besides war, the atomic age holds promise for energy, farming, medicine, and research. The promise of the atomic age will depend on human wisdom.

A Is for Atom

7.2 1953
All Fowled Up

Intending to catch a chicken for his dinner, little Henery the Chicken Hawk ventures onto the farm of the eternally feuding Foghorn Leghorn and barnyard dog. Foghorn tries to dump a load of concrete on top of the dog, but the chute for dropping the concrete suddenly extends itself to a position directly above Foghorn, who is covered over by the concrete and frozen in a "Thinker" pose. Little Henery attaches a rope to the cement-laden Foghorn and drags him home for a tough-to-chew chicken dinner.

All Fowled Up

6.9 1955