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The Garden of Electric Delights

Billy Roisz taps into our sensual pleasures with this experimental interpretation of Hieronymus Bosch’s iconic triptych The Garden of Earthly Delights. The largely abstract landscape, stemming from both analogue equipment and ‘deep dreaming’ – a generative AI technique based on neural networks – ranges from paradisiacal to hellish. Combined with the chirping, ticking and pounding soundtrack, in which field recordings have also been incorporated, the temptation is almost impossible to resist.

The Garden of Electric Delights

NR 2025
Action Bog

A feverish stasis collapses into infinite distraction, spinning on the axis of an algorithm. Each pulse, an uncertain tone, breathes electricity into a half-alive world. Time stretches like soft polymer; metamorphoses creep forward frame by frame, suspiciously slow, as if the film were watching me back. Photographic fragments are transferred onto clay, not quite sculpture, not quite collage, but something in between: a Tonermorph. Figures emerge mid-gesture, faces unsealed yet never whole, suspended within the patterns of their own skin. They falter, caught in an action bog of their own making, or perhaps mine. A work of non-narrative cinema, the piece is guided by a score from electroacoustic and musique concrète composer Andrew Zukerman. Created during a 2025 summer residency at the Toronto Animated Image Society, with production funding support from the Society.

Action Bog

NR 2025