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Mr. Rossi's Dreams

At the end of another week of work Rossi returns home with the intention of enjoying a quiet and peaceful weekend. He lives with Gastone, his dog-friend,who, after a week of loneliness, can't wait to go out, for instance to the movies, and have fun. Gastone as a matter of fact is a passionate fan of movies, television and heroes' books. He always compares Rossi with them and nags with a petulant : "Rossi, Rossi, if you only were...braver, stronger, richer...". His continuous complaints push Rossi to identify himself with those heroes; throughout the film we will meet Rossi-Tarzan, Rossi-Astronaut, Rossi-Sherlock Holmes, Rossi-Zorro, Rossi-Hollywood actor, Rossi-scientist, Rossi-Lancelot, Rossi-Aladdin. Eight fantastic adventures in which Rossi, along with faithful Gastone, relishes the joy of being a hero.

Mr. Rossi's Dreams

6.8 1977
The Golden Sieve

Three animated songs for the youngest viewers, based on the classics of Latvian children's literature. Poems The Golden Sieve, The Cloud Boy and the Cloud Girl, and The Sun and the Moon by Rainis tell children in poetic images "how things happen in the sky", where the goddess of fate Laima scatters stars like diamond seeds, Cloud Children annoy Father Thunder by swinging and overturn the big rain bowl, but the beautiful Daughter of the Sun falls in love with the stately Moon Boy.

The Golden Sieve

NR 1975
The Robot

Max and Tüte are super excited about a math-whiz robot at an exhibition. The boys smuggle him out so he can do their math homework. But the magical machine's programming is faulty and it goes its own way, playing havoc in town. While Max tries to catch the robot, Tüte takes the robot’s place at the exhibition. But he gets in deep trouble, when he can't solve math problems. Luckily Max and the robot return in time and the boys decide it's better to do their own homework in the future.

The Robot

NR 1970
Soul City

Punk rock group FLESHTONES perform the song "Soul City," as tiny black & white cut-out figures, (with hand-tinted flesh tones), against a flickering background of brilliant color. In the film, Jones 'recycled' the same basic movements of his subjects by reconstructing totally new motions from the same severely limited amount of footage. This was done through alteration of perspective, and reversal of selected movements at varying intervals. The number of movements a subject can make, artificially created from a few basics, becomes almost limitless once an understanding of what motivates activity in that subject from the beginning is achieved.

Soul City

4.0 1979