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Kibyoshi

Ikue Mori continues to be one of the most respected and original voices in the laptop electronic music scene. Distinct and personal, her sounds are immediately recognizable as her own. For the past several years she has been incorporating visual imagery into her presentations, animating cutouts from Japanese woodblock prints in ways both charming and disturbing. Her latest work is her best yet, and draws upon the rich literature of Japanese Kibyoshi, satirical comics which pointed sharp barbs at contemporary society with a sharp focus on gossip, literature, political affairs and current events. Reversing, inverting and twisting truth and fiction, Ikue Mori creates a rich world of her own with sound and image.

Kibyoshi

NR 2011
Meet the Math Facts - Multiplication & Division Level 1

Meet the Math Facts Multiplication & Division Level 1 makes multiplication and division fun and easy! You will learn basic multiplication and division through fact families. With fun characters that you will grow to love, level 1 will teach you to easily recall basic multiplication & division math facts from 0x0 to 3x12. Primary School Prep is a division of Preschool Prep Company, home of a complete set of learning tools that have won over 100 awards. These educational products are used in homes and schools around the world. You will be amazed at how easily you can learn math!™ Features multiplication & division math facts from 0x0 to 3x12

Meet the Math Facts - Multiplication & Division Level 1

NR 2017
God BLISS Our Home

For 10 years, Nawruz has lived in BLISS, a former government housing project that has now become a shelter for local migrants, city workers, and university students. Originally from the southern Philippines, he has decided to stay in Manila not only for work opportunities but also for the comfort and freedom of urban living. But staying in Manila isn’t easy— and it isn’t cheap either. He accepts freelance design and animation work, sells beauty products, joins a community lending scheme, and thinks of renting a whole flat in BLISS and lease its rooms to others to earn and save money. One day, his mother calls and asks him to come home. She is worried about his financial troubles and offers to help.Reluctantly, he agrees and uses this opportunity to connect again with his family, especially with his mother whose values have always been old-fashioned.

God BLISS Our Home

NR 2017
The Last Mile

The Last Mile is a heartfelt tribute to arguably the most cherished car on earth as it goes out of production. Fx Goby takes us through the decades, telling both a personal and cultural history of our relationship with the iconic VW Beetle over its 80 year lifespan. Rotoscoped using a traditional hand drawn technique, the film conveys the warm affection held by Bug owners and enthusiasts worldwide, depicting individuals and key moments in history who remind us of the car’s universal significance as a counterculture, pop and political icon.

The Last Mile

NR 2019
Even Pricks

Even Pricks is sort of an homage to the repeating loss and gain of an erection—metaphorical or not—as mediated through all the stimuli we humans sort through and judge and despair of throughout the course of any quotidian day. The erection here is the (now nearly as familiar) thumbs up/thumbs down—sliding in and out of frame as a pale, disembodied man’s arm. It pokes up into a floating eye and nostril, and down into a human navel. It’s doused with fluids and submerged. The thumb inflates and deflates, over various backdrops of crumbling structures and hazy rooms. At one point, a very real-looking chimp delivers a string of spoken words in a crisp English accent. His assertive thumbs-up makes an appearance as well. The artist is interested in the potential to express emotion through cold and flawless digital means and plays with the convention of aggressive advertising slogans and film trailers, urging the viewer to “this summer destroy their lives.

Even Pricks

NR 2013
It Is My Fault

The digital age has given birth to a new reality: infinite screen time. Rather than experiencing the natural world around us, our intake of communication, ideas, visuals, and sounds is packaged via a series of zeros and ones, waiting neatly for us to consume. This screen-dependent existence is even more prevalent and maddening for the modern-day creative. Beyond entertainment, so many artists rely on screens for work — using digital tools to create more digital experiences that are designed to be digested through yet another screen. It creates a loop that at times feels paralyzing and inescapable.

It Is My Fault

5.0 2016