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Biomes I

Biomes is a series of 4 paintings in motion inspired by the the surrealist landscapes of Tanguy and Kay Sage. Digital and analog video techniques are used to simulate painterly effects in an interplay between soft, harsh, mat and shiny surfaces, different shades of light and the illusion of depth or flatness. Biomes are portraits of post human environments where uncanny life forms materialize and slowly detach themselves from the horizon, to finally melt into their respective landscapes.

Biomes I

NR 2017
The Messengers

Jesus’ followers waited uncertainly for his promised gift, but they weren’t sure what to expect. Then, in a way none could have foreseen, His Holy Spirit was poured out on them with great power and wonder. In this new animated sequel to God with Us, you will follow along with the small band of early Christians who boldly proclaim Christ and His message in the face of great opposition. Based on Acts chapters 1-9, The Messengers retells the story of the spread of Christianity and the unexpected conversion of its most zealous persecutor. Viewers of all ages will be inspired by this powerful and engaging depiction of the early church.

The Messengers

NR 2017
God BLISS Our Home

For 10 years, Nawruz has lived in BLISS, a former government housing project that has now become a shelter for local migrants, city workers, and university students. Originally from the southern Philippines, he has decided to stay in Manila not only for work opportunities but also for the comfort and freedom of urban living. But staying in Manila isn’t easy— and it isn’t cheap either. He accepts freelance design and animation work, sells beauty products, joins a community lending scheme, and thinks of renting a whole flat in BLISS and lease its rooms to others to earn and save money. One day, his mother calls and asks him to come home. She is worried about his financial troubles and offers to help.Reluctantly, he agrees and uses this opportunity to connect again with his family, especially with his mother whose values have always been old-fashioned.

God BLISS Our Home

NR 2017
Wetware

Both abject through its texture and relatable in its fragility, WETWARE offers hyperreality without the common symptoms of alienation. A seemingly self-sustaining ‘organism’ is generated completely in digital through synthesis without reliance on ’real’ imagery. The resulting image is limitless, perpetually spilling outside itself. Suggesting a feed pulsating beyond a bodily surface or even any bodily context, the work examines digital intimacies while also referencing worship music in its relaxing albeit disorienting sonic composition.

Wetware

NR 2017
Time Travel

The film, an animation, unfolds in three acts: Act I, "Cyrano", wherein Cyrano makes all manner of boasts and compares his lady-love to the marvels of the universe; Act II, " Prometheus", in which pagan forces are compared with the supposed genteel nature of the 19th century; Act III, "Time Travel", wherein there is a hop-scotch of Time Travel! In which the viewer moves among various 'times', partially drawn entirely from imagination, partially from allusion to specific visual historic and pre-historic periods. It is not a straight-line progression, rather a flipping back and forth through glimpses of various ages, carried along by the surreal antics of its objects and characters.

Time Travel

NR 2017
I Don't Protest, I Just Dance in My Shadow

“I don’t want to feel like it’s only me. I know it’s not only me, because there are others out there…” ‘I Don’t Protest, I Just Dance In My Shadow’ is a short visual essay film by artist animator, Jessica Ashman, about navigating the visual art and animation world as a black face in a white space. Using animation and recorded interviews of eight other women of colour artists, ‘I Don’t Protest, I Just Dance In My Shadow’ is an abstract confessional from the director herself: a visualisation of the joy, frustration, wishes and dreams of what it feels like to be a black women and a woman of colour artist, creating and existing.

I Don't Protest, I Just Dance in My Shadow

NR 2017
MATIERICA

One might think that beautiful pictures, a compelling story, and brilliant movement are the three essential elements of a good animated film. The word "anima" from which animation is derived, as we all know, means "to breathe life into". And "life" means "limited time" and that there could be an approach that does not include any of the aforementioned "three elements". The result of several years of exploring new methods was an "animated film" that eschews the so-called "animated" structure. This film aims to visualize "shifting consciousness" through a method of filming in which approximately 5,000 pencil drawings are constantly overlapped"

MATIERICA

6.0 2017