The film tells the story of a little boy who loves motorcycles but has never seen a real one, who meets his dream motorcycle rider through a "magical piece of glass" and cleverly encounters the dream.
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The film tells the story of a little boy who loves motorcycles but has never seen a real one, who meets his dream motorcycle rider through a "magical piece of glass" and cleverly encounters the dream.
Xia Anan, the Flower Fairy Magic Messenger from Earth, accompanied by the arrogant young prince Kukuru, embarked on a mission to the edge of the World Sea—the legendary Flower Kingdom of Labelle Continent—to avert the crisis caused by the Dark Demon's invasion. However, at the same time, her arch-rival, the mysterious prince Tabas, returned to the side of the evil goddess, stealing all the flower fairy spirits Xia Anan had painstakingly gathered, and turning her three closest friends into dark witches. What was once beautiful has turned evil, and former friends have become enemies! In the face of disaster, it seems there is no hope of victory! So, what will be the outcome of this adventure?
With a child in her arms, a woman is crying out for help to two men. But what comes next is mixed with good omen and misfortune, with felicity and fatality.
A satirical puppet animation short on Chiang Kai-shek made by the communist party.
This film is one form of the director's explorative expression, utilizing the imagery of locks and keys to symbolize a society turning awry.
A brave little weasel tries to prove its innocence when it's accused of stealing mother hen's eggs and attempting to harm her baby chicks
网瘾战争 is an anti-censorship machinima advocacy production on behalf of the mainland Chinese World of Warcraft community, aesthetically notable for being made entirely in in-universe style. A protest against internet censorship in China, it was first uploaded by video creator nicknamed "Sexy Corn" onto Tudou.com, within days of its release it was banned from a few PRC video sites such as Youku.com, but has since struck a chord with the wider public beyond the gaming community, eventually becoming more popular on-line than Avatar. The 64-minute video expresses the frustrations of mainland Chinese WoW players being restricted to mainland servers and presents their grievances and normal feelings to the real world, inasmuch they are often marginalized as being Internet addicts dwelling inside virtual worlds. While the video was considered to be bold and rebellious by the Chinese government, it won the Best Video award in the 2010 Tudou Video Film awards. [from wikipedia]
Doggy Dong and Gold fell in love. Gold’s dad kept warning him not to fall in love. He never wanted to listen. Life has beaten him hard because the words from his dad were coming true…
There was a puppet in the telephone booth on the street, like a tree hole that received the stories people poured out without a word. In the morning, a little girl visited the puppet unexpectedly.
A lifeless old mansion hosts the liveliest birthday banquet. Guests enjoy the food and music while the birthday star remains silent. Only a peach seems to stir her soul. Adapting a story from Qing-era writer Pu Sonling’s zhiguai collection “Strange Tales from a Chinese Studio”, A TALE OF THE STOLEN PEACH narrates the traditional Chinese cultural sympathy for the deceased, “finding rest in the blessed kingdom for spectral spirits.”
An eco-documentary telling the story of Lenos, fictional creatures who have been living in Macao since ancient times. As witnesses of changes through time, how will these intriguing beings cope with the future?
During the process of re-reading all the diaries of the author's childhood, a long forgotten silhouette suddenly emerges out of an old memory. The artist returns to the scene of the memory to search for evidence of her existence. The entire film is rendered by computer software and is filmed in one shot from beginning to end, like a roamer roams about through a dream, where dreamland and one’s memories interweave in fabrication and deviation. This film is an overture from the project Corner of the Park, continuing the work which was done years ago. The project sets out to form a complex labyrinth-style network of narratives regarding memory.
The father had once been a violent man; his domestic abuse drove two women out of his life, and afterward, he sank into alcoholism. One day, his son sustained a severe injury—so severe that the hospital offered little hope for recovery. Following this, the son decided to leave home behind. On his journey, he unexpectedly crossed paths with his father's former girlfriends.
The story is inspired by Yin , the emperor of Yue opera.The girl to be married looks at herself with sadness.Men outside urged her to hurry up.Escape or surrender? She couldn't help but think of the memory of her first appearance on the stage.
A heartwarming tale of Lucas, a Singaporean boy who faces up to his fears in the neighbourhood playground, and reunites his neighbour Angie with her lost doll.
The prince and the Devil seek a doctor for the princess, but end up breaking into an animation studio where characters like them are being forced to act in a thousand-episode series.
One egg gives birth to two chicks, one black and one white. The two chicks are cultivated into gladiatorial killers.
Cotton Candy has a big dream of becoming a robot scientist. Through a fortunate coincidence, she and her mother, Cloud, get a chance to design and invent robots. However, they must overcome challenges and repeated failures. Will they succeed in creating Cotton Candy's dream robot? What happens when the lovable Jelly Robot unexpectedly goes haywire? How do the mother-daughter duo support each other and work together to achieve their dreams?
The girl ran away after the kite, and the grandmother went to look for the girl, but always missed her. When the girl grew up and found the kite, the grandmother became old and mute, but she still remembered the girl and the girl's kite.
A little goat was drinking water by the river, and the big bad wolf appeared, insisting that the river water belonged to him, and that he would come to eat the little goat at night as punishment for stealing the water. The little goat was very scared. On the way home, the little goat met kittens, little hedgehogs, little monkeys and other small animals. After they heard about it, they all decided to help the little goat. At night, the big bad wolf arrived as scheduled, and with the help of the little animals, the lamb successfully drove away the big bad wolf.
Dream versus reality. Persistence versus abandonment. In the game of life, what is the right choice? There’s no correct answer, ultimately. But as director Jo Leong said in an interview, “I’ve determined that I’ll burn brightly without any regrets!” Let's follow the director and go crazy together on the road to pursuing our dreams!
In the world of constant black rain, people live under umbrellas’ protection. One day a man threw his umbrella away, which resulted to brought him a green plant, only existing green in that world. People desire his plant and start to scramble for it.
A young Chinese woman's healing journey overcoming her traumatic injury at a Moroccan hospital, laced with morphine induced forbidden romance out of a dream like garden.
A young, indefatigable office worker deals with an overwhelming workload. After all, he faints and falls beside a pile of trash on the street and accidentally meets a lazy, alcoholic street child who is living in the pile of trash. They stare at each other. The film raises a question: which one exactly do we drink? Coffee or caffeine, whisky or alcohol?
If the two conditions of self-control are long and long, they will linger in the pilgrimage. Because of the pains of parting Acacia, they will know more about cherishing the lifelong observance of the future. Whether you have experienced a strange land relationship, or are about to start, are still sticking to it, or you have already regretted it, or have a successful outcome, the “Faith of Distance” animation is for you!
Restart, created between 2008 and 2010 and exhibited for the first time in Germany in the Ludwig Museum, Koblenz, puts forward a series of decisively new approaches. Aspects of the clash of civilizations, the entanglement of our technologies in the forms of our desire, the role of cultural – and intercultural – memory in commerce with our contemporary situation intersect in a medial attentiveness that lays before us the ambivalence, the seduction, and the disquiet in the experience of the virtual 3-D space and the – transbiomorphic – animation in a completely new manner. Let’s be clear from the start: “RESTART” is frightfully beautiful, unsettling, and enticing all at once, and it thereby hits a nerve with our contemporary desires and fears without having to become involved in the subconscious innocence-deal of a crisis that has apparently affected us as unexpectedly as only a sudden extraterrestrial comet impact could.
A hand drawn animation with 1352 paintings, every single one is a hymn to my body, which is mine, but not all mine. It belongs to everyone who has touched it, like a memory pillow, always remembering the marks left by the last person, while slowly rebounding and forgetting.
The film exaggerates the interpersonal relationship of comparison, suspiciousness, selfishness, cruelty, helplessness, despair, and the author's pessimism and worry about the future.
Former fighters of the Colombian FARC guerilla report in letters on their most formative experiences from their time in the armed underground. University students from three continents adapt these personal memories in a parallel collective process to develop a touching film whose visual joy of experimentation is impressive.
Through first person narration, Tari reveals personal stories related to her decision to work in Taiwan, her strained family relationships, the risks involved in working abroad and the traps she has fallen into.
The rich man keeps claiming that the carpenter Maimai Ti owns his for this and that reason. In the end Bay is saved by the carpenter and began to understand the life philosophy of "good is better than evil".
"Coward" tells a short story about a black cat who was thought to be afraid of mice by his neighbor's kids, from once the cat was taken to the next time. Coward's role reflected in every role in various degree. The animation does not explicitly indicate who is a coward, but appeal to people to have more understanding and more love.
The "robot duck" from the moon, Ani, is adopted by a mother duck of the prairie flying duck family by chance. A Nai firmly believes that he, like the other ducklings, is eager to be able to fly. The super power chip on Ani's body attracts the tracking of the moon people, and it turns out that Ani is a super bomb used by the evil scientists on the moon to destroy the earth's atmosphere. With the coyotes chasing him, Ani and his buddies go south to reunite with the migrating ducks. Despite the danger of the chip explosion, Ani defeats the evil doctor and helps the duck flock to reach the south with love, affection and bravery. Ani also realized his dream: to grow up to be a real flying duck.
A magician arrives in the reclusive coal empire — Luocha, triggering widespread panic in a society already simmering beneath a fragile peace. After being arrested, he encounters an orphan named Xiao Zhi in prison...
Two waiters in a Shanghai restaurant try to please a rich guest only to find out that he is not who he seems.
We chose the life subway to show kinds of life choices that we have to face in our lives. Like the Buridan’s ass, the heroine couldn’t make any choices. She passed all the stations then reached the terminal of her life journey: her grave. Sometimes we have to take that step even we are not ready yet.
The splash of water is like a bomb, about to break the tranquility of the pool.