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The Dalmatians

Tuepfelchen, the little Dalmatian dog is despaired. Just a second ago she had been playing with her two brothers and sisters and now they are gone. Together with Kruemel, the young half-breed dog, he starts looking for them. Soon they meet a gang of street dogs. They persuade the dogs to help them. Without success they search the whole city. All of a sudden Butcher, the clumsy Bulldog discovers a trace of the two. The small Dalmatians aren't well. The dog gang decides to act and Kruemel already has a plan.

The Dalmatians

1.0 1997
Home Truths

A short animated film in which five young people tell of their experiences of domestic violence. Emma and her mother escape from a violent father by moving to a refuge. Jamie sees the effect on his mother of his father's violence. For Sidra, the violence of her father is psychological and controlling. Sophie, her sister and mother are all targets of her stepfather's aggression. Daniel supports his friend Tom, whose mother is being hit by her boyfriend. The young people respond positively to their situation, and take some action, asserting their right to live in a safe environment.

Home Truths

NR 1999
The Castaways

“After falling overboard they spent days in the life-buoy. Their only food was butter; and you soon get tired of only butter." A fish spots Pip, Squeak and Wilfred adrift, and tells his mermaid wife to make a soup from them; she pushes them ashore instead. Landing in Egypt, they take a camel ride to see pyramids and a sphinx, before finding themselves stranded in the desert. There, they find a giant egg and try to cook it, but a crocodile hatches out and chases them away…

The Castaways

NR 1921
Piccolo film decomposto

This extremely short film is dedicated to chronophotography, which—as is well known—is the prelude to cinema. As with one of my earlier films dedicated to Muybridge (The Naked Killer, 1982), this one was excavated from books and catalogues, that is, from typographic ink. I tried, in a certain sense, to reanimate the inanimable as does the photographer Duane Michals, having only, sometimes, three or four frames. I found older stroboscopic technology as well as more contemporary flicker effects to be very helpful here and there. I attempted to realize the cinematic identification of Skladanowksy with Avedon; contaminations, precisely, between creators of films and creators of photography, contemporary or not. It is surprising to see Michals, a contemporary photographer, bearing such a strong cinematographic resemblance to Londe, the proto-filmmaker. I hope, at least, to have told the story of their direct commingling, as if by a single secret author.

Piccolo film decomposto

6.3 1986
The Pain and the Pity

The third – and presumably final – instalment in the mercurial ‘Christies’ animated features by the equally mercurial bad boy of British animation, Phil Mulloy. Mister Christie and the others return for one last time to try and work out exactly who they are. A serial killer is loose deep under the streets of London. Raw, roughly hewn images knitted together with a unique system of narrative structuring, bashed into existence using the tools and resources of our age and plastered onto the big screen with the customary ‘take it or leave it’ Mulloy energy.

The Pain and the Pity

NR 2013