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Based on a short story by Jen Webb, Terra is a short film about restoration and reconnection with the earth in the age of a climate crisis.

Tegan is 12, in love with the coolest boy in class and just found out where meat comes from. Tegan faces intolerance and peer pressure as she struggles to she find the strength to follow her heart.

Santa is getting ready for Christmas, but where is his hat?

Down a mysterious lane, overgrown with tomato plants, there is a house. Nobody goes there. There is a strange man who sings to himself as he tends his tomatoes - for whom? Does he make sauce? Does he dry teen and preserve in olive oil? Does he make soup? Nobody knows.

A desperate battle to grab the most precious commodity from the clutches of those who would deprive others of it.

Mandala-like constructions representing vast and interconnected cycles of time and space.

The gentlest of journeys through an increasingly shattering world.

An animated portrayal of a traditional Indonesian farming calendar based on celestial observation and cycles of natural phenomena.

Every window, every door hides an infinity of possibilities. There is no choice but to continue to roam.

Bartholomew Von Knaviery had a great big aviary and he was obsessed with its expansion.

Two unusual looking kids escape to a better place.

Crystal World is inspired by J.G Ballard’s apocalyptic science fiction novel of the same name where a viral crystal metamorphoses trees, animals, humans and architecture into frozen jewels forever suspended in time and space. The novel is a haunting portrait of a world in which everything is illuminated by prismatic light, a ‘leaking’ of time that causes humans to experience individual moments endlessly looped, repeated and prolonged. My film adapts this concept of crystallization and applies it to fragments from the 1955 film. I reconstruct scenes from Charles Laughton’s iconic film with underwater puppets, which I then crystallize using ammonium phosphate crystals, time-lapse photography, mirrors, prisms, and projectors. (http://piaborg.com)

Ride the Bus with Bounce Patrol! 50 minutes of some of Bounce Patrol's best songs from our takes on classic nursery rhymes ("Wheels on the Bus", "Mary Had a Little Lamb") to our grooviest originals ("Do The Funky Robot", "Little Sharks")!

Three animators tell a story of transition - from male to female, and from despondency to happiness.

Kids, don’t try this at home!

When a deep bond flourishes between two boys, a hairy secret and a devoted mother unknowingly stands between them.

There’s someone for everyone – sometimes it’s just a matter of having the courage to reach out.

Don’t mess with angry short people, it’s a really, really bad idea – apocalyptically bad!

The molecular structure of all our lives are full of lucky breaks, sliding door moments and big decisions

A boy sees a figure outside his window, and goes outside to investigate.

A visualization of what the mind might see as it dies.

Man and Horse struggle to maintain their individual freedom of power. The process leads to their mutual destruction and finally a permanent bond.

His mother was a mum and his father was a goat. Get ready to sing along with these delightful characters.

For Creation is an elaborate contemplation of the great weight, the myriad complexity, the glittering webs of matter and sentience. Combining playful proposition, ardent queerness, elegy and homage, Kelly’s animated paper collage, made over 3 years, forms a call to congregants of creation. Musical collaborators and queer legends Stereogamous composed the anthemic soundtrack, which features the voices of SJ Norman and emerging popstar Lupa J.

Located in Far North Queensland, the Daintree is a staggering 180 million years old and has been named the second-most irreplaceable World Heritage area on the planet by the International Union for Conservation of Nature. For millennia, it has existed in fruitful cohabitation with the local Kuku Yalanji people. However, as with most of Earth’s natural wonders, this 1200-square-metre rainforest has become threatened by the lasting climatic changes brought about by colonisation and industrialisation.

“Bilderbuch für Ernst Will” is an electronic rendering of a form of proto-televisual iconomania: the creation of haphazardly sourced private pictorial scrap books or 'bilderbuch'. Often intended for the surprise, delight and edification of grandchildren by grandparents, these books had the analogical potential to become flamboyant transmogrifigations of the detritus and sequestered oddments of the great age of print in the later half of the 19th century.

16mm. 5 minutes. Colour.

This colourful stop-motion animation utilises Essendon Airport drummer Paul Fletcher's collection of dolls and nick-nacks.

A virtual sky awash with a digital aurora.

Bestest jobs are a matter of perspective but a father’s work is never done.

Werner searches for his lost hearing aid before his wife Adele dies of cancer.

King Richard III, recently excavated from a car park, is searching through history while detaining a flock of ducks.

Just beyond the walls of the cottage in the forest, sinister forces are gathering and preparing to strike.

A whole new way to avoid mind theft and rectal probing.

Political satire on the importance of the electoral vote.

Life is like an opera and she must always be ready for the stage. She’s anxious about her appearance—her face, her lips, her eyes. Everything must be perfect. However, with her saying, “here we go again,” is that really what she wants to show to the world?

The story of a girl saying her final goodbye to her kitten.

A boy must get to a party

Stationery equipment comes into life. A pencil who was always been the owner’s favourite has been replaced with a pen. What will Pencil do to reclaim the top spot?

Animated rendition of the famous poem.

An aging man recounts his experiences as a pilot during the war. – Victorian College of the Arts

Stop-motion animations inspired by the Surrealist Movement.

As one of many Indigenous children forcibly removed from their mother at birth, artist ​Marianne Wobcke uses VR to explore perinatal trauma. ‘Perinatal Dreaming’ is a beautifully crafted audio-visual experience exploring the spiritual, emotional and biological formations of human consciousness from within the womb and entry into the world.

This film was made in 1992 during my 2nd year of my BFA, at the College of Fine Arts, UNSW. Sydney, Australia.

In an isolated land, two creatures embark on a journey of adventure through uncontrollable forces of nature to find each other.

Meet Graham. To survive on our roads, you’d need to look something like him. Graham is the TAC’s latest road safety project, highlighting how vulnerable the human body is to the forces involved in transport accidents.

A stunning, Manhattan-esque metropolis made of paper is the setting for this stop-motion tale of all-too-familiar bureaucratic frustration.

A group of flour-based sweets and loaves come together to make a new friend for their clique - a mischievous, weird and cute film in the kitchen.

As an isolated dancer practises alone, they come to the realisation that they can see and interact with their past performance.

Last King Standing is a short film project that was assessed as part of the Rosny College Media Production Film And Television course in 1998.

"Fragments of Red" is a documentary and animation hybrid, navigating the pieces of an incomplete independent feature film built in Valve Software's Source Filmmaker. It reconstructs the story through its inspirations, animations, scripts, storyboards, interviews, music and sound.

The ancient Thracian bard Orpheus laments ever for his lost love Eurydice. Having returned from the Underworld in his attempts to retrieve her, he can now no longer die, yet lacks presence. So the maenads tear him limb from limb... Two thousand years later: An immortal head, disembodied, aware now of the power of the physical form in which it is forever encased. Upon the Templar altar, wise yet carnal, the only way it can now enjoy the idea of a body is through vicarious experience of others enjoying theirs. Thus with the heightened senses remaining in the head, s/he desires to create a new physical vessel.

What's going on in the elevator.

Object of Life is a playful critique of our life long love of things, giving a new take on an old Greek Myth wrapped in some serious Balkan Brass.

Boxhead and Roundhead are lost in the dark forest.

Short by Nicci Haynes.

"The Gods of Tiny Things" thinks poetically and urgently about the current array of threats to life; the shift to the right across the political world, the tolls of colonialism, climate catastrophe, human profligacy; and conversely the dynamic, kaleidoscopic pleasures and desires of life itself, at all scales, in all its teeming, prancing, hectic, clamouring fertility. We are dancing at the end of time.

"Hello! I'm JaguarElla. I am a cool cat! I can sing in tune according to modern technology!"

A swarm of forms, reminiscent of alien spaceships or mechanical bats suspended in space.