Discover Movies

7,474 Matches Found

Lil' Bratz: Party Time!

The Lil' Bratz want to throw you a Party! They need your help choosing the theme, cake and invitations. They've prepared several exciting activities, but don't know which to do first. Can you help Decide between Pinatas, Fairy Tales and Balloon Animals to make your party the best. You can choose to dance, to sing along or watch music videos! Choose Your Lil' Bratz Adventure : Start The Party : Pick a Party Theme, Pick an Invite Amazin' Activities : Story Time, Balloons, Pinata, Dance Party, Sing-Along, Karaoke, Music Videos!

Lil' Bratz: Party Time!

10.0 2008
KASHIKOKIMONO

Since the early days, Hayakawa's works have been established by hand-drawn moving images and digitally processed reproduction and proliferation, and the precision of this process has been accelerating in proportion to the evolution of video equipment. The balance between the organic nature of the vital movement that stimulates the fundamental part of human perception and the abstractness of the work's composition is pleasant. His challenge to always keep an eye on the cutting edge of video technology seems to be exploring a new animation language, and shows us the possibilities of images that can only be achieved through animation. (Koji Yamamura, January 2010)

KASHIKOKIMONO

NR 2004
The Rescue

The Rescue is a 2001 parody brickfilm by Jason Allemann and Deane VanLuven. It follows the story of Solo Brick Jones as he attempts to steal the treasured head of C-3LegO. It is a humorous retelling of the iconic opening scene from Raiders of the Lost Ark and uses the actual audio from the film. The Rescue won the Conference Attendee Winner award at BricksWest 2002's Animation Competition. Though popular at the time, it received its widest spread popularity later via an unauthorized reupload on YouTube in 2006 under the title "lego indiana jones".

The Rescue

NR 2001
cubica

At the very beginning, a small white pixel is visible on a black background. It begins to move orthogonally, describing a square on the screen. As the right angles increase in number, they expand into the third dimension and begin to form cubes. The cubes then join in chains apparently searching without pause for a way out of a larger invisible cube which defines the borders of their digital universe. While this is happening, the pulses of Chris Janka´s technoid soundtrack influence the "snake´s" direction. As is the case with many computer games, cubica permits its player to choose the point-of-view, such as from the outside then switching suddenly from a subjective point-of-view at the head of one of the many "snakes," racing through a world of cubes with neither horizon nor other points of reference. This work, based on the ideal form of a square or cube, provides a fascinating scene for everyone who can appreciate formal precision and perfection. - (Norbert Pfaffenbichler)

cubica

NR 2001
The Witness

The journey to unshakable faith begins with doubt for Barabbas. Having been spared from death, he arrogantly attends the crucifixion of the man who took his place. Suddenly he is faced with the power of God and the plaguing question, "Was Jesus really the Son of God?" Confident in his unbelief, Barabbas sets out to prove Jesus a fraud. His search for answers reveals many witnesses to the life, ministry, miracles and power of Jesus. Witnesses with facts he cannot dispute. This powerful animated production confirms that those who seek, often find more than they were searching for...they discover the power of the truth.

The Witness

NR 2001