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Tonpei and Sarukichi

The lazy Tompei is still asleep past 10 o'clock and even at 11 o'clock. He finally wakes up at 12 o'clock at the deafening sound of the angry clock. Hungry, Tompei walks to Sarukichi's house and grabs food Sarukichi has harvested. The next day, while Sarukichi is working in the hills, Tompei beats Sarukichi's two children who are staying at home and tries to steal things from Sarukichi's house. Sarukichi, who is alerted of the situation via telephone from his children races home, is infuriated at the cruel Tompei and punches him so hard he falls down.

Tonpei and Sarukichi

8.0 1932
Between Showers

This is a hand-drawn animation depicting a moment of human behavior in the rain, in a simple, monochromatic style. A person on the horizon, the umbrella that person opens, a manual zoom-in, then the tip of the umbrella transforms into another person on the horizon. These people, drawn in a flowing style, eventually melt like liquid, mix together, then retake the form of humans. Although rain is never actually depicted, this is a piece in which we can experience the bodily sensation of a rainy day in poetic form.

Between Showers

NR 2009
A Feather Stare at the Dark

A story set in a world before ours. A world in chaos where forces of good and evil fight and mingle. By doing so, it creates the chance to give birth to the new world. A couple of winged beings make love and fly away. They bear a child in an egg, and when the child opens its eyes they are immediately destroyed, one consumed by fire and the other by water. Mythical, elemental and mysterious, the world created by Tsuji is dangerous, menacing and suffuse with signs of apocalypse, but somehow simultaneously tender and compassionate. A Feather Stare at the Dark captures simple gestures and primal feelings and amplifies them, realising the non-verbal and non-literal with remarkable grace.

A Feather Stare at the Dark

8.0 2003
Tiny Chibisuke's Big Adventure

Dreaming of rising up in the world, Chibisuke the little bonze travels to the city, where he becomes a retainer to a Cabinet minister, who takes a liking to Chibisuke who dances for him in his palm. One day, Chibisuke is accompanying a princess to Shimizu when a mountain devil attacks her. Chibisuke makes numerous surprise attacks on the devil before finally overcoming him, and using a horn of plenty left behind by the devil, he ends up a strapping young man.

Tiny Chibisuke's Big Adventure

7.0 1935
Kacchikenee!

Aiko lives in a shrine with a sliding door that mysteriously is only half painted and thought during her childhood that she wanted to paint it. But the 17-year old Aiko now has no dreams about the future. Suddenly, a strange man appears before her. Aiko's grandfather and the shrine's chief priest offers the man to stay in the shrine, but Aiko isn't having any of it. But he realizes the kindness of the brusque young man and slowly comes to like him. What is his true identity?

Kacchikenee!

NR 2016
Tamala 2030: A Punk Cat in Dark

Carefree, coquettish, and capricious, Tamala is the cutest girl-cat in dystopian Cat Tokyo, year 2030—or at any other point in the time/space continuum. She has randomly invited herself along on her detective friend Michelangelo’s missing-person investigation. It seems the case is one of seven sudden vanishings in an astronomical pattern across Cat Japan that occurred at the exact same moment one night. Their search leads ever deeper into a mystery with ancient, occult roots and apocalyptic implications—and threads leading to Tamala herself. Shadowed by a covert agent of the Catty & Co. consortium, she may in fact be the greatest enigma. Indolent ingénue? Megacorporate mascot? Mythic messiah, or manifestation of cosmic malevolence? Anyhow, wow—she sure is a great dancer!

Tamala 2030: A Punk Cat in Dark

NR 2025
It Is My Fault

The digital age has given birth to a new reality: infinite screen time. Rather than experiencing the natural world around us, our intake of communication, ideas, visuals, and sounds is packaged via a series of zeros and ones, waiting neatly for us to consume. This screen-dependent existence is even more prevalent and maddening for the modern-day creative. Beyond entertainment, so many artists rely on screens for work — using digital tools to create more digital experiences that are designed to be digested through yet another screen. It creates a loop that at times feels paralyzing and inescapable.

It Is My Fault

5.0 2016